40th Annual NAACP Image Awards

For those that are needing another Awards show fix until the Oscar Awards, there is hope. The 40th Annual NAACP Image Awards show is just over 24 hours away. Rejoice.

Actually this awards show should be interesting for more than the fact that it highlights the achievements of people of color, something rarely done by the Academy Awards. This year is also the 100th anniversary of the NAACP. Thus I expect the television broadcast to be quite special.

There will be stars a plenty as well. Halle Berry and Tyler Perry will be presenting. Which says nothing of those celebrities in attendance. All of whom I expect to note the significance of what the NAACP has done over the years.

A special honoree will be Muhammad Ali. He is a man well deserving of recognition and I am happy to know he will be singled out for praise. He is one of the major catalysts in some of the changes that have occurred in sports, television, and international perceptions of African Americans. More should credit what he has done and achieved.

Another honoree will be Russell Simmons. He has been highly influential beyond just music. He has been a great role model of how successful any African American businessperson can be. His empire of clothing, music, finance, televison and film ventures is the match of most any business. Such is the power of a mind dedicated in its purpose.

But on the pure awards front here are a few of the categories and my thoughts.

Outstanding Picture:
"Cadillac Records"
"Miracle at St. Anna"
"The Secret Life of Bees"
"Seven Pounds" – I expect this to win
"Tyler Perry’s The Family That Preys"

Outstanding Actor in a Motion Picture
Derek Luke – "Miracle at St. Anna"
Don Cheadle – "Traitor" - This is my pick
Jeffrey Wright – "Cadillac Records"
Rob Brown – "The Express"
Will Smith – "Seven Pounds" - The main competition

Outstanding Actress in a Motion Picture
Alfre Woodard – "Tyler Perry’s The Family That Preys"
Angela Bassett – "Tyler Perry’s Meet The Browns" - Probable winner
Dakota Fanning – "The Secret Life of Bees" - main competition
Queen Latifah – "The Secret Life of Bees"
Rosario Dawson – "Seven Pounds"

Outstanding Supporting Actor in a Motion Picture
Cedric the Entertainer – "Cadillac Records"
Columbus Short – "Cadillac Records"
Dev Patel – "Slumdog Millionaire" - Great choice for popularity with the Oscars
Mos Def – "Cadillac Records"
Nate Parker – "The Secret Life of Bees"

Outstanding Supporting Actress in a Motion Picture
Alicia Keys – "The Secret Life of Bees"
Beyoncé Knowles – "Cadillac Records"
Jennifer Hudson – "The Secret Life of Bees" - The winner
Sophie Okonedo – "The Secret Life of Bees"
Taraji P. Henson – "The Curious Case of Benjamin Button"

Outstanding Independent Motion Picture
"Ballast"
"Noah’s Arc: Jumping the Broom"
"Rachel Getting Married"
"Slumdog Millionaire"
"The Visitor"

I am amazed that this category did not include A Good Day To Be Black & Sexy or Diary of a Tired Black Man. I would really have loved to see Diary win too. But such controversy is beyond the NAACP I suppose.

Outstanding Foreign Motion Picture
"Captain Abu Raed"
"The Class"
"Mongol" - Possible winner (but I have not seen it)
"Song of Sparrows"
"Under the Same Moon"

Outstanding Documentary
"The Black List"
"Black Magic"
"CNN Presents: Black in America"
"Dare Not Walk Alone"
"Trouble the Water"

I have no idea in this list, but I would guess it will be CNN. Mostly because of the very positive coverage of President Obama throughout the election.

I am not covering the television choices because I feel that there really is no choice available. There are virtually no lead actors, and too little diversity in television to really have a selection to choose from. That is not the fault of the NAACP, but Hollywood and its double standards. [Though I will say that Sean Combs should never win.]

So with that said, there is your next Awards fix.

Tina Turner - true talent never ages

When I was writing my preview of the upcoming movie Notorious, I was thinking about how little Christopher Wallace was in the world and music in general. It’s sad to say but the thing that catapulted him to beyond superstar status was his death, kind of like what has since happened to Heath Ledger.


And then I noticed today a review of Tina Turner who performed Monday at Staples Center in Los Angeles. Tina Turner is 69 years old. And the performance was reviewed as a knockout event that most younger entertainers today couldn’t begin to match.

“But it was "Proud Mary," the Creedence song she put her stamp on 37 years ago, that still can't be beat, from slow and swampy nice to explosive and frantic rough…

Turner began the evening telling the mostly middle-aged crowd that she was offering "a show of my past." But she delivered a confirmation that in the present, she's every bit deserving of the marquee celebration at night's end that flashed T-I-N-A, an icon-- no, make that a queen -- of American music.”

That’s talent. Nearly 70 and she can pull an audience after 8 years in retirement. She’s had a career that’s spanned 52 years. She’s earned 8 Grammies, a NAACP Image Award, and is a 2 time member of the Grammy Hall of Fame. And she still reportedly has legs that most women 1/3 her age wish they could have.

Considering her sparse monetary upbringing, the horrendous marriage, and her rise fall and rise in popularity in her music career you would think she might deserve a movie as opposed to a dead crack dealer. Oh wait, she did have a major studio motion picture made about her life in 1993 starring Angela Bassett. Good film too.

Tina Turner just confirms something I have always believed. Talent is rare, and those with it can survive the test of time as well as life. Those without it can be no less successful but have to work harder to gain it. But those that gain success without effort or earning it will always lose it – quickly and usually for dumb reasons.

20 years from now almost every rapper since 1992 will be completely forgotten. Some won’t make it 5 years before you won’t recognize their name. But Tina Turner will still be on the radio. And I’m hopeful that she will still be performing at that time, with legs that will still probably be better than women half her age.

Movie Preview: Notorious

Well the trailer is out. I can see movie theaters in Brooklyn selling out in January. Because the film of B.I.G. will be out to start 2009.



I have some bad news though. The movie is probably crap. I’m not saying this because of my personal belief that gangsta rap music is garbage overall. Nor is it because I think any film glorifying a criminal – drug dealing loser – is a bad idea. I think this movie is bad because it’s coming out January 9th. Movie studios reserve that time of year for what they view as the worst films they have. It’s the equivalent of taking out the trash.

I know there will be fans of current rap music that will hate to hear this. I am sure there are fans of this deceased drug dealer that still cherish his memory. I am obviously not one of them.

The fact that an ex-con, that sold death in a crack pipe, was able to become an entertainment star is a credit to the American way of life, and moreso to the ability and determination of music industry executives in promoting base images to the public. This movie, detailing the life of this small time hood, is only being made because of his sudden violent death. A death that occurred because of the most stupid reason I can think of; not over money or women or power, but because one group of drug dealing self-important entertainers thought they were better than another group of drug dealing self-important entertainers. In other words a pissing contest.

Do I think Christopher George Latore Wallace deserves a movie? No. Do I think a life that glorifies the business of killing people with poison for money and a life of degrading African Americans in society is worthy of a movie? No.

I have no doubt that Biggie smalls was loved by those close to him. I have no doubt that his mother cared about him. I have friends, both dead and alive today, that have served time in prison. Several lived lives that were less than stellar in their youth, and most paid the price of death for those lives. But to have a movie made about that, that seemingly highlights those moments of lechery and depraved indifference of life is bewildering to me.

What will this film feature? Christopher Wallace making a choice to sell drugs at 12, dropping out of school at 17 – because he preferred a life of crime, not because he had no other option. It should show him being thrown in jail for his crimes, and several arrests. It will show him performing, and gaining importance in the gangsta rap genre. It might show him attacking autograph seekers in Manhattan, or him beating friends of a concert promoter and robbing them. It will show him getting into a car accident and requiring him to need a cane. And the film will show Wallace being shot to death, and possibly place blame on someone for that shooting.

On balance I expect little to come of this film, except a renewed anger between West Coast and East Coast rappers. There is no beautiful moment to be expressed, no greater statement to be made. Christopher Wallace was not a great man, beyond his size. Biggie smalls did no great deeds. Notorious B.I.G. had no legacy nor made a lasting impact on life on this planet.

The film will make a profit, because this kind of film is cheap to make. How Angela Bassett was attached to this film is beyond me. I suppose she adds credibility to the film, and no doubt was the single greatest cost above or below the line. So it will make a profit, and possible start a trend of films about insignificant popular entertainers with no meaning or benefit other than to reinforce stereotypes and make tons of money for music and Hollywood executives.

It’s guaranteed you’ll hear more about this film soon. And some will try to spin this into a positive like politician’s polispeak about why the bailout will benefit America. But the honest thought is that this film does not deserve an audience, nor to make a profit. If you see it, you deserve to lose the brain cells it will kill and the waste of time it will suck from your life.

AMERICAN BLACK FILM FESTIVAL

Over the last decade or so film festivals of all sizes have become quite popular. Cannes has long been the Super Bowl event for film festivals that the general public can name, though Edinburgh International Film Festival is the longest running continuous festival. But others like the Sundance, Tribeca, and Raindance Film Festival are far more recent and followed by the media. Still there is a film festival that goes unmentioned even though 70% of its films go on to receive theatrical or DVD distribution, which I doubt most other festivals can boast.

AMERICAN BLACK FILM FESTIVAL (ABFF) has been around for 12 years, and the major news media seems incapable, or unwilling, to acknowledge it. This years festival will open Aug. 7th with a special screening of the Harry Belafonte / Dorothy Dandridge movie Carmen Jones introduced by the first Black actress to win the Academy Award for Best Actress – Halle Berry.

Ms. Berry is hardly the only notable and talented actress or actor to be at the festival. Other entertainers present at the festival will include:

Evan Ross, Lauren London, Tatiana Ali, Columbus Short, Anthony Mackie, Holly Robinson Peete , Nate Parker, Angela Bassett, Lela Rochon and Loretta Devine. Mos Def, Rockmond Dunbar, Idris Elba, Michael Ealy, John Singleton and Sanaa Lathan. Malik Yoba, Tina Andrews and Salli Richardson. Richard T. Jones, Paula Patton, Niecy Nash, and Dennis Haysbert.

That is quite the list of accomplish celebrities, each deserving of recognition and with fan bases that can fill any sized theater if not small and/or large cities.

But the purpose of the ABFF is not to go star gazing, nor to seek out the next up and coming stars. Its mission is

“To strengthen the Black filmmaking community through resource sharing, education, artistic collaboration and career development.”

And there are more than just a few corporations that recognize the importance and need for Black films. The companies that support the ABFF include:

Allstate, HBO, Lincoln, Target, Blockbuster, Heineken, Nielsen Media Research, One Village Entertainment, Fox Searchlight Pictures, Codeblack Entertainment, Nickelodeon, Fox Entertainment Group, Grey Goose® Vodka, SAG Indie, Writers Guild of America West, Greater Philadelphia Film Office, Illinois Film Office, FoxxKing Entertainment, Black Enterprise, Uptown, Upscale, Black Noir, Heart&Soul, Precious Times, Automotive Rhythms, Toy Box, Monarch, Hope Today Magazine, NV, Save the Date, KJLH-FM and EUR Web.

Obviously founder and CEO of Film Life, Inc. Jeff Friday has made an impression and is helping to promote the fact that quality filmmaking is something that African Americans can do as well as anyone. The fact that ABFF has been able to connect filmmakers and distribution channels at such high rates further shows that the market for quality Black films has hardly been scratched.

ABFF may not be as old as Sundance, nor have an international movie star as its creator like Tribeca, but that has not lessened its importance or the drive of those involved.

“We have worked very hard to appeal to a cross section of film aficionados and make our festival accessible to everyone. We are looking forward to members of the greater Los Angeles community coming out and experiencing the best new work by and about people of African descent,” said Melanie Sharee, ABFF Director.

If you are in the L.A. area I suggest taking some time this weekend to learn about the quality Black films that are out there and the directors and actors that have made them. The major news media may believe that the world has the diversity of the sitcom Friends, but the reality as presented by the AMERICAN BLACK FILM FESTIVAL is proof that not only is America more diverse but that such diversity provides a richness that transcends color.

For tickets to ABFF or for more information go to www.abff.com or www.ticketweb.com

The New Year's battle: Thin or Healthy

As the holidays progress, there are a few things you can count on. Most people will gain a bit of weight, Christmas office parties will embarrass someone after the holidays, you’re bound to get a gift that you won’t like/use, and It’s a Wonderful Life will be on television. Now of the above factors the one that will be most troubling to the general populace will inevitably be the weight gain. (Well depending on if there were pictures taken at the office party or not).

As with the never ending obsession of weight that is America today, one of the biggest New Year’s resolutions will be to lose the weight gained over the holiday season. Millions of men and women will start 2008 with the intent of dropping the pounds and looking healthier if not being so. Some will try the various fad diets that never work for more than a few days.

Some will take on various pills that promise to burn fat or restrict its absorption, avoiding the effort of eating properly and working out. The detriments of such pills are numerous, including the multiple side-effects they invariably create, the extreme cost, and often the limited results they provide.

Many will actually seek out professionals that will evaluate the BMI, nutritional diets, work-out needs of the individual. A balanced diet, with exercise has always been the most effective program, and the only one with real long-term lasting results. There are no ill effects and the only side products are the reduction in chances of cardiac disease, diabetes, looking better, and feeling wonderful.

But in that last plan, which is the most beneficial, I want to put in a point of caution and question. Don’t over do it. Far too many people want to, as an example, drop their BMI to extremely low levels. I personally don’t think that is a good thing. In addition, I don’t agree with the BMI, or the general image of health presented by the major media.

What I mean is that there is some level of common sense that needs to be applied in all this. There is no question that being thinner has been shown to be better, but looking like a model seems wholly unhealthy to me. For those that want to look like some 100 pound, 6 foot model I suggest a re-evaluation of images. Especially for Black and Hispanic/Latino women.

Too often the media says that Black, Hispanic/Latino women are fat, when that is far from true. We have often heard how stars of color are insured because of their measurements, and how they stand out in Hollywood. Take for example Mrs. Jennifer Lopez, or Beyonce. Neither is the typical waif lauded by Hollywood, and thank goodness.

If you were to go by BMI, or by media perceptions, you might think either of those women are fat. You might think that Oprah Winfrey eats nothing but bon-bons without ever working out. This of course is ludicrous. Each of these women work-out regularly, eat carefully balanced and prepared meals, and are examples of fitness. Yet none are a model.

The fact is that while too much weight is easily a bad thing, too little is equally unattractive, at least to this writer. Oprah looks ghastly at a size 8-10. Jennifer Lopez would look anorexic minus another 20 pounds (talking about pre-pregnancy weight). And so on.

My point is, as a man so take that as you will, that being thin is not nearly as important as being healthy. Trying to match up to the variable standards stated by the government (you do recall that the BMI index was reset recently and instantly made millions overweight overnight because of it) and the major media is anything but beneficial in some cases. Beyonce, J-Lo, Angela Bassett, Gabriel Union, Regina King, Gloria Estafan, Salma Hayek, Renee Zellweger, and Drew Barrymore are all sexy and beautiful women. They aren’t model thin either.

So as the New Year’s resolutions are made, and the plan to lose the holiday weight is started, remember that health trumps an airbrushed near-anorexic magazine cover non-figure any day. Expert government or Hollywood status quo be damned.