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Sunday, September 14, 2008

Rock and Roll - the other Black music

Have you ever been up late at night and seen the extended commercials that hawk this good or that? You know the shows for instant fat reduction without requiring you to get off your ass, or the endless promises to make you rich over night without a stitch of effort or knowledge. These infomercials are rampant on the late-nite airwaves. But I saw one tonight that got me thinking.

While watching Tron (a great movie) I flipped channels during the commercial and found an infomecial about the Oldies but Goodies. This Time Life infomecial was about Rock ‘n Roll. Particularly about the original artists and entertainers that created this music genre. These artists are before the Beatles, or Elvis, or the Rolling Stones. We are talking about the people that got the whole ball of wax started.

That would include Chuck Berry, Ritchie Valens, Fats Domino, Little Richard, Chubby Checker, The Platters, The Drifters, Johnny Mathis, Sam Cooke, The Cleftones, The Dells and so many more. You may not know all these artists if you are my age or younger, but you have likely heard their songs in movies and on the radio.

Some of these songs include:

    Johnny B. Goode
    Rock Around The Clock
    What'd I Say
    Long Tall Sally
    Maybellene
    Shake, Rattle And Roll
    Blueberry Hill
    Please, Please, Please
    The Great Pretender
    Ain't It A Shame
    You Send Me
    Wake Up Little Susie
    La Bamba
    I'm Walkin'
    Lonely Teardrops
    Shake, Rattle And Roll
    Who Do You Love
    Dedicated To The One I Love

I’m only barely touching the artists that influenced the decade. There are far more artists and songs I could name. But there is something that is inherently the same in each of these and the entire birth of Rock and Roll. Black musicians.

Today, and for a couple of decades, Rock music has been dominated by White musicians. In fact it’s so common that most people associate rock music with White audiences. I’ve never ceased to be amazed by the people that wonder why I enjoy rock and roll since it’s “not my music”.

Yet there would be no rock and roll without Black musicians. In fact many of the popular artists of the 1950’s and 60’s started off as cover artists. White performers would sing the exact same song as a Black artist and record companies would sell it. The highly racist and segregated nation preferred to buy the White version of the song and propelled those artists to fame and fortune; perhaps the best known of these cover artists was Elvis Presley.

But my point is this. Why is rock and roll associated with Whites only? Why is it a dirty word among African Americans, the little secret that you listen to without your friends knowing? Why is it that millions of baby boomers are buying compilation records by the thousands, or tens of thousands, yet year after year the names of the African American music pioneers that they listen to each night get spoken less and less.

I wrote a post about Chubby Checker recently. I doubt anyone under 45 really knows his music. But he helped found rock and roll. As did Chuck Berry. But when was the last time you heard their names connected to the genre they helped to create?

Today the music industry would like Americans to believe that Rock is a White music. That is a lie. They want to make it seem like African Americans have no place in the genre. That is another lie. We created it, and helped to make it what it was and is.

Without Fats Domino, or Chubby Checker, or B.B. King, or Ray Charles, and on there would be no Beatles, or The Who, or Led Zepllin. There would be no Lynrd Skynrd, or ZZ Top, or Stone Temple Pilots. It’s just the reality of the history.

So knowing this and watching that infomercial featuring Bowzer of Sha-na-na (an older TV show) and seeing 4 out of 5 video clips in that infomercial featuring a Black musician I could not help but wonder what happened. How did the African America creation suddenly become devoid of color? Why did Elvis become a mega-star for singing covers of Black artist’s songs? Why is it that today most people can name Prince, Lenny Kravitz and maybe Living Color or Jimi Hendrix as the only Black rock and roll entertainers?

Perhaps it’s me but I find it troubling that Time Life is making a boatload of money on the backs of entertainers that were paid pennies and created a genre of music that now brings in millions if not billions each year. And while tens of millions of Americans know the songs (not including fans across the world) the recognition and association for their music goes to copycats and runner-ups.

Today some say that racism has been defeated because 1 Black man has the chance to become President. But how can anyone say that when something as basic and universal as music denies the existence of African Americans that created a legacy that thrives today?

Maybe I am up too late without sleep. Or maybe, just maybe, America continues to have a schizophrenic attitude to the contributions and existence of people of color. And if the latter is true, the success of any 1 person will never be enough to heal the nation and move us all to the future together.

Or do you think I’m wrong?

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Absinthe Fairy

Wednesday, September 26, 2007

Congress discusses gangsta rap music Part 2 - 9.26.2007.4

Continued from Congress discusses gangsta rap music Part 1...

Perhaps the funniest part of the Congressional hearings is the arguments made by corporations. I don’t mean funny ha-ha. Executives constantly like to say that they don’t control the content that gets out their. ‘It’s the other guys fault.’ Yet they spend millions to promote this exclusive form of rap music. The spend tens of thousands to create music videos of a particular style only. They flood airwaves with this singular format since 1992, and they have reaped tens of billions of dollars if not hundreds.
Photo found at http://www.elvisandhistory.com/army.html
The other common excuses are that this is no different than the outrage against Elvis in the 50’s and the Beatles in the 60’s. What crap. Elvis may have wiggled his hips (which they found suggestive and objectionable back then) but you never saw him smoking a crack pipe. Elvis had bodyguards, but you never heard of shoot-outs between him and say Frank Sinatra. For all the wives, women and possible affairs Elvis may have had, you never heard him speak disparagingly about any woman. The only similarity was that when Elvis started, like rap, he was shunned because he was different. 15 years later he was treated as the norm, and some considered him conservative. Rap started out being called a fad, and until the emergence of gansta rap stayed that way. 15 years after gansta rap started it is not a fad, but it is nothing like Elvis either.

Executives like to say they maintain standards and support the community. I say where? Philippe Dauman believes

“We have a responsibility to speak authentically to our viewers”


His manner of authentic speech? Read-a-Book. Music videos of the most graphic nature – shown on BET - that are so extreme the other music video cable channels his corporation owns would not play them. Programming of such a poor quality it’s insulting to think anyone would watch it. Photo found at http://samzodiac.wordpress.com/2007/06/01/dagens-tvilling/When was the last time you saw a movie by Lawrence Fishburne, Denzel Washington or Morgan Freeman on BET? How many times have you seen a movie about rappers, drugs, violence and women barely clothed only seeking sex – like Soul Plane – on BET? I mean it’s not like BET own Paramount Pictures and has an entire movie library that they can access to provide quality movies with. It’s not like they are a multi-billion dollar international corporation that could afford to create original programming that stars or prominently features African Americans that are not drug dealers and rappers (Like the Blade series on Spike, Eureka on SciFi, or the Shield on FX).

Oh thank you Philippe Dauman and Viacom for deciding that the only original programming that should target African Americans are College Hill (laden with profanity and violence), Hot Ghetto Mess (I don’t care that they changed the name it’s still exploitative), and a never ending variations on ‘Flava Flav needs a ho.’ [I should apologize for calling some of the women involved in the various Flav programs ho’s – but I won’t.]

Continued in part 3...

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Absinthe Fairy