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Thursday, September 25, 2008

VH1’s Top 100 of rap music celebrates the positives of the genre

I just noticed something that really caught my attention. VH1 has compiled a list of the top 100 rap music songs. Now that is something that I am sure will create huge debate.

The main question is the importance of groups at the start of rap, the empowerment movement in rap (which was sadly short lived), and the gangsta rap genre that has now become the redundant and endless form that dominates music videos and radio. I for one have no love of gangsta rap, nor the performers that populate the genre.

In it’s birth rap was a celebration of joy. The earliest songs, which I recall from my youth, were not that long ago, just about 29 years now. They were about enjoying friends and good times. The groove was infectious and lead to the growth of the fledgling music format.

But like all things rap grew up. In fact it did so with a speed and determination. By the mid 1980’s until 1992 rap had a meaning. Not all rap, but a good portion of it. There was a pride in the Black community and it was reflected in the music. The music was an oral declaration of unity and progress. This too was reflected in the music videos of the art form, if you were lucky enough to spot one on television.

The first 13 years that rap music existed it was called a fad by mainstream music. It was viewed as a joke. It was diminished and tossed aside by the entire music industry, even though music executives would not dare to stop making the highly lucrative music. But throughout this time rap music was also something that the White masses of the nation neither understood nor craved.

Then there was N.W.A. and the music industry executives found what they had been waiting for. A guttural base expression of African Americans as impoverished, uneducated, violent criminals waiting to be unleashed upon the nation.

I realize, now and then, that N.W.A. was expressing yet another face of what many African Americans experience everyday in America. I understand that they were crying out about the less than American Dream life that was being shoveled into their lives. And there is no doubt in my mind that the intention was never to glorify violence and drugs, or women as sexual gratification objects. But I am equally sure that the music industry sought only that aspect of the sub-genre.

So in looking at the top songs in this sect of music, what should take prominience. The songs that have made the most money, the artists that were promoted most by greedy executives, the songs that hoped to unify and empower African Americans, or those that just celebrated life?

It seems that VH1 considered all these things in making their list.

The number 1 songs was found to be Public Enemy’s Fight The Power.



This song was the pinnacle of the empowerment genre of rap. It was the rally cry for involvement in voting, being active in the community, and making Government accountable to the people. It was just after this song came out that music executive ran to find a distraction, and flooded the airwaves with anything but another rap song of this nature and message.

Second on the list was the Sugar Hill Gang’s Rapper’s Delight



This is the song and group that started the entire music genre. It was the first rap song to burst forth from the nightclubs and basements of the Bronx out to the mainstream of the national airwaves.

Third on the list was the crossover hit by Run DMC Walk This Way.

[The video is blocked from being embedded on a site. Aerosmith has great lawyers it seems.]

So in the first 3 songs we see that the expressions of fun, respect, pride, and ability are the foremost examples of what all rap music really is. And I can agree with these choices.

The top 20 is rounded out by a mix of predominately these themes, with a sprinkle of the more modern, repulsive, generic, pedantic, and demeaning gangsta rap songs that have infected the airwaves since 1992. In fact going through the list you will see that the entire list is filled with mostly artists that ceased being played on the air the day that gangsta rap was born. That’s a statement indeed.

Now I’m sure some will argue this. They will note that Tupac, or Eminem, or Snoop Dogg, and others had meaningful and powerful songs. Some of them are on the list too. But like the law of averages, or probability, even the worst entertainers will eventually get it right once or twice. I mean even William Hung got to make 2 albums and stardom.

The list will be shown on VH1. I’m sure many will have different opinions. But I say that Public Enemy was the greatest rap group ever – both for what they said and what they tried to do. But Heavy D, Sugar Hill Gang, Erik B. and Rahkim, Digital Underground and a few others still make my favorites list too.

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