LL Cool J - the elusive Black Republican?

Could you imagine that? Well obviously someone at Fox News media department did. Because he included an image of James Todd Smith, along with Jack Welch, and a Congressional Medal of Honor winner, in a promotional ad for an upcoming Sarah Palin special. How did they not see a problem coming?



When I saw the commercial last night, I really was shocked. Shocked that a Black celebrity would make public an affiliation with a Conservative view, or heaven forbid Fox News. I was also proud to see someone take a stand and remind everyone (Black people too) that African Americans are not cookie cutters, and some of us don't agree with Rev. Sharpton, President Obama, Democrats, and Liberals that just want to take care of us since we can't do it ourselves.

But that didn't last long. It seems that the inclusion of LL Cool J is inaccurate. The interview clip shown was from 2008, though I think Smith would like to still be considered a person who has overcome adversity - just not a Conservative or Republican one. So the commercial is being ammended to not include LL Cool J.

It's not the first time that any network has done such cut and paste work for a promotional commercial. It's been done over the years by EVERY news and media organization except possibly C-SPAN. But when a Black person is shown as a Republican, or Conservative, well that's just blasphemy. Because the universe would end if it were to happen.

"Popular conservative blogger Allahpundit tweaked liberals who accuse Tea Party supporters of racist sympathies, saying they'll be "shocked to find the alleged Grand Dragon of the tea-party movement making chitchat with a hip-hop legend."

Is this really such a big deal? It really shouldn't be. Is race really that important to what is supposed to be a show about real ordinary Americans doing the extraordinary? But it is. Because LL Cool J is Black, and therefore cannot be seen as a Conservative. It would end his career.

But the outrage, from a few seconds of positive imagery (as inaccurate as it was), seems to be a telling commentary. What it is saying will undoubtedly alter depending on the politics of the viewer, but if you step back and look objectively the message seems to be rather bleak - and it's not about the media comopany.

Kings of Rap hosted by DMC of Run-DMC

The world of rap music originally had a diversity that matched the diversity of African Americans across the nation. That diversity contained in almost equal parts positive messages of empowerment and self-responsibility, fun, sex appeal, and the gritty reality of life some experience. That diversity lasted from 1978 until 1992.

In 1992 the thought of gangsta rap was created, and the music industry jumped on it like a crackhead on a rock. Within 2 years of its start gangsta rap had become the rap industry instead of just a part of the many genres within it. Along with this infection of rap came an acceptance of rap that had been denied since its inception. With that acceptance came large contracts, music videos, Grammy Awards, and inclusion by the media.

In effect the rap industry was commoditized, selling a corporate image of what was and was not Black culture. This image was plastered onto movies, television, music videos, and entertainment news. I will note that the number of African Americans dropping out of high school, and becoming single parents, skyrocketed at the same time that gangsta rappers (now just called rappers) were being lauded for arrests based on violence, drugs, and misogynistic acts.

But not everyone has agreed with the corporate view of rap, or African Americans.

It's taken some time, but now the potential return to the roots of rap music is in the works. DMC (Darryl McDaniels of Run-DMC) is to be the host of The Kings Of Rap. This is a new reality television program. Unlike most reality shows featuring a rapper, this program is not to create more fortune for the rapper, or laud their questionable skills, or even reinforce their bloated self-image. Nor is it an attempt to find a way to scour the nation for moldable individuals that can easily be disgraced and discarded.

DMC states the idea as this

"There are so many talented kids out there who don't get heard or don't get signed because they're not controversial enough, or they're too positive. That amazes me. The spirit of hip-hop was always about changing the world or yourself, not with a gun or with denigrating or offensive words, but by being effective with your mind. This is a time when everyone is talking about change, and we as a country have the opportunity to make a difference."

That's powerful, because it's honest. This is one of the few rappers I've ever heard address the sell-out mentality that has become rap. What else can anyone call gangsta rap, when the industry refuses to allow non-controversial (ie. entertainers that are not ex-convicts, and are not being arrested for violence, drugs and so on) positive (ie. individuals that are educated, finished high school, and/or religious maybe even politically aware) influences in the music?

Do I like reality television programs? No. I find them to be insipid at the very best. But the prospect of a program that will help return the rap music genre to the diversity and richness that is the Black community intrigues me.

Do I find rap music worth listening to? Not since maybe 1994, likely earlier. Because not everyone enjoyed KRS-1, Public Enemy, Heavy D, LL Cool J, Will Smith, Kurtis Blow, Doug E. Fresh, The Beastie Boys, De La Soul, Erik B & Rahkim, Ice-T, Sir Mix A Lot, and the multitude of other rappers but they did have a choice. And there were more than enough styles to match the people out there.

The Kings of Rap may be more important for what it re-introduces than what it's ratings might be. Likely there will be little media coverage, and corporate promotion will be minor compared to that of Sean Combs, 50 cent, Snoop Dogg and other malcontents. Yet if it achieves what it proposes, reawakening the spirit that created rap and hip hop, then none of that matters.

I may not be a big fan, I may hate reality television, but I think I will check out Kings Of Rap on occasion just because I believe in its ultimate goal. How about you?

Sean Combs: A Raisin in the Sun - 1.30.2008.1

Sean Combs is many things. Grandstanding, self-aggrandizing, successful, lavish, intelligent, somewhat talented, and thoughtful. As you can tell by my description of the personas Sean “Puffy” "P.Diddy” Combs evokes mixed emotions in me.

I respect his drive and proven ability as a business man. I dislike the rap music and most of the clothing lines he has promoted and created a minor empire off of. He both exceeds and dwells firmly within the stereotypes of a Black man in hip hop. Perhaps neither is the real persona that his close friends and family know, but I can only go by what he presents to the world.

In a way I also admire the determination and self-confidence that Mr. Combs has. He has jumped into several different fields of the entertainment industry. Most have met with general success and moderate to high acclaim. Even the stuff you may not like is balanced by the work and effort he has place in other endeavors. Because of that alone you have to respect what he has done.

But all things are not equal. Sean Combs may be a decent hip hop artist, and a better producer, but he is hardly what might be called an accomplished actor. I in fact would barely call him an actor at all. His lack of training, minimal experience, and pairing with far better entertainers have never worked to his advantage. Suffice to say, were it not for his success in other entertainment and business genres he would never be in a major motion picture like Monster’s Ball.

It is that other than acting success that has given him the title actor. But I will give him the fact that he has tried to grow in his ability. His work in the theatre is part of that growth. The mixed reviews he received for his portrayal of the Sidney Poitier renowned role of Walter Lee in A Raisin in the Sun show that he is far from ready for such a prominent role.

“Then there's Combs, a music star who has appeared in a couple of movies but has no real stage experience. It shows. He has a tendency to act by protruding his lips, but seldom does much with the rest of his face, body, or voice. More importantly, he doesn't have a firm grasp on Walter's dreams; a major part of the plot concerns Walter's desire to buy a liquor store, but his emotional state doesn't seem to change whether he just desires it, sees the opportunity slip away, or experiences the final result of his attempts. The rest of Walter's major moments receive similarly ineffective treatment.”

Yet he brings in an audience that is new to the theatre. Many of today’s youth are unfamiliar with the stage, or the many rich stories that are found there. The stage is not something you can listen to on an Ipod, or be immersed in on a laptop, and thus has impacted few as compared to the past. This is most notably true among African Americans and minorities.

It’s a true shame. The youth of today have no idea what it’s like to have seen Dreamgirls live on stage. They love the movie, but no matter the emotional power of watching Eddie Murphy and Jennifer Hudson on the big screen, seeing it live is superior. At least that is the comparison I can make having seen the live play in my younger days, and the movie.

Couple that with the relative lack of knowledge by many in the hip hop generation of great actors and stories and I must admit a cringe escapes me. Sidney Poitier is a phenomenal actor, who rose up in a time (roughly a short 40 years ago) when America ‘suddenly’ realized that African Americans can do more than stand agape in the background. [I do NOT mean that to diminish the many Black actors that preceded the 1960’s. They made possible every actor after them, like Denzel Washington, Jennifer Hudson and everyone else. But I am commenting on the standard roles that America limited most of their performances to, wasting the talent that was available to the nation merely because of prejudice and racism.]

The rich stories that can be found outside of jump-scene, frenetic, CGI dominated, action oriented films of today are virtually beyond count. The best of which have often become not just one movie but several. And the actors in which often become the strongest and most famous actors we all recognize on site, or by a mere utterance of a line.

While this may all seem like a digression, it is not. My point of all this is that A Raisin in the Sun is now coming to a broadcast television near you. On February 25th, ABC will be broadcasting the televised version of the play. It will star Sean Combs in the title role, and will also have Audra McDonald, Phylicia Rashad, Sanaa Latahn and others reprising the roles they had when the play was revived recently.

This is a powerful story that delves deep into the lives and hopes of a Black family in Chicago. The fact that the timeline takes place in the past is irrelevant to its ultimate meaning. So I am happy that Sean Combs took on the role of executive producer to get it into a format that the youth of today can connect to. Sadly though the titular role is that of Walter Lee, which Combs portrays.

The good is that this will add diversity to a generation that has been fed films like Teeth, Soul Plane, and the Honeymooners (miserable remake of a television show). One can only hope it will inspire some to look for the original motion picture, and delve into the movies like In the Heat of the Night, that starred Sidney Poitier and other actors of that time. Perhaps it will be the first step of some on a career that will be grand and rewarding.

"Sometimes people come to a place and don't expect to get the message. This generation, they come for entertainment ... then they realize, 'oh man, this movie is really touching. It's making me really appreciate my family."' - Sean Combs

The bad is of course what I mentioned before. Sean Combs is not an actor, or at least of any serious quality. He does not deserve this role, on television or in a play. His fame may drive viewership and ticket sales, but he isn’t worthy. Maybe he will be one day, with far more training and a lot more work in less significant roles.

I hope that his involvement does not spew a trend, even more than has existed for some time, of rappers and hip hop artists that believe they have talent in every entertainment field because they are popular in one genre. It’s fatiguing to see the pitiful attempts of the majority that have already tried to cross over. Few are capable to any degree. And fewer are willing to take the time and effort that Will Smith, Queen Latifah, LL Cool J and one or 2 others have strived to do to achieve the recognition they deserve.

So is this a positive or negative? Should we be happy or upset with Sean Combs? Both. Like all his endeavors he provides a living visage of what yin and yang can be. Is ability may be lacking, but his spirit is strong. He may be unqualified for this role but it will draw attention and hopefully inspire. He will extend the life of this story, and the scope of a generation in what they consider art and worthwhile.

In the end we all will make our own decision on February 25th. I can only hope to be pleasantly surprised.

Hall of Fame, Obi Wan, cavemen and Star Trek - 3.13.2007.1

So did you hear? Finally there has been some recognition for the original forms of Rap music. The musical genre has been rightly acknowledged with the induction of Grandmaster Flash and the Furious Five to the Rock n Roll Hall of Fame. The founding groups and individuals that were considered mere fads by the media and industry are now finally getting the respect due for creating a genre that, though changed dramatically, now commands significant attention in record sales, movie soundtracks, music television air-time and more. Long past a mere fad, the founders can now look to be joined by other influential groups in the near term.

Without a question the Beastie Boys will get recognized, and they deserve to though I think it will be before other more deserving artists. LL Cool J must be inducted, as must Run-DMC, and Eric B and Rakim. I’m sure slightly down the road will be Queen Latifah and Salt&Peppa. Dougie Fresh would be a pleasant addition as well. Whether or not this will happen, and in what order will come out shortly as the 25 year pre-condition is met by more and more of the ‘fad’ stars. And when the time comes I dare the Rock ‘n Roll Hall of Fame to deny Public Enemy. [Though I’m glad the time for considering the minor abilities of artists like 50 cent is far off.]

In other news there is talk of the cavemen from the popular Giecko ads, will be getting their own television show. This could be quite interesting, and I hope the respect is given to the men starring in the ads now by giving them a shot at fame on the show. It would be irresponsible if they aren’t in the show. More on that as details emerge.

In other popular news, fans of Star Trek have something to look forward to. The journey is not over, as a new movie is planned for the end of 2008. This new film will be going back into the past of the timeline, though thankfully will not be delving into the ruinous Enterprise arena. No, the studios have learned and realized the real draws of the series, and will be featuring a story based on Kirk and Spock. This will be about their first meeting and mission outside of Starfleet Academy.

This is fertile ground and a lot can be done with the story. Hopefully the writers have actually watched the early television show, even better if they are fans. But be primed against a good movie with the fact that ‘revisioning’ seems to be the mantra of films based on previous movies and television programs these days. The most critical fact will be the choice of who will play Kirk and Spock. Considering we know what they look like, getting someone that looks like younger versions of them will be difficult. But as long as the choices are close I can live with that obvious difficulty. Given that I can’t imagine who could pull it off. I’m not the only fan out there, who do you think should be these larger than Starfleet characters? Who deserves to be the greatest Starfleet captain and his first mate?

For fans of the biggest sci-fi film and series ever, another piece of the Force has just gone into someone else’s hands. Yes the cloak of old Obi Wan Kenobi, as worn by esteemed actor Sir Alec Guiness, was sold recently for $104,000. Not a small price tag, though I can see paying for that item. Of course my wish list includes Darth Vader’s helmet and lightsaber. Not likely I could afford them but still worth wanting.
For the non sci fi fans the same auction also sold a Bond girl catsuit, Mr. Mel Gibson’s kilt from Braveheart and Mr. Terry Jones’ metal helm from Monty Python and the Holy Grail. That last piece went for 19 thousand. Some wish lists are real expensive.

More soccer and movie thoughts soon to come.

This is what I think, what do you think?

LL Cool J, Julia Child, and Amobi Okoye - 1.29.2007.1

There were a couple of things that most might have missed in the last couple of days. One is a nice tribute to the original television chef that started the industry niche. I’m speaking of Ms. Julia Child. I’m sure many my age and older recall this chef and her cooking program, that was on the same channel as Sesame Street and the Electric Company. I loved watching her put together a meal, which was always a bit better when you add a bit of sherry. Seriously, I’m pretty sure I recall her often taking a sip of sherry or 2, or more, in every episode. But she always looked like she was having a great time, and it was well worth the time to see what she created. It always looked like something you wanted to eat.

While younger readers may not be familiar with Ms. Child, they should take a moment to do a search on her. Without her show (which to my knowledge was the first cooking show, or at least the only one in the 70’s and 80’s) I doubt if there would be a Top Chef, or Food Network. Because of her achievements, Ms. Child is being honored by being added to the National Women’s Hall of Fame. It’s a shame this is being done after she has passed, but it is something I’m glad to see happen.

Another nugget of news is about LL Cool J. He has a new book out, LL Cool J’s Platinum Workout, that he hopes will help people improve their body and lives. I’m sure there are many women, and some men I’m sure, that love his physique. Well now anyone can get a better body, perhaps even one like his. But the big point is that it’s not about the outer image but the inner one. Unlike most stars that hock a video or book about dieting or getting in shape, LL Cool J is centered on the inner development that works its way out. That’s the difference, and that’s why I’m mentioning it. I haven’t read the book, but I did read his interview. Considering his words I think it could be worth the time for some.

And another inspiring item is a potential NFL draftee. Mr. Amobi Okoye is 19, entered high school at 12, got into college at 16 and a degree 3 ½ years later in psychology. He is expected to be in picked up in the first round of the draft. This is the kind of kid I think should be allowed into the majors. Unlike the high school kids that have no back-up plan, nor maturity, this is a kid that has accomplished a lot quickly. Especially when you consider that he is from Nigeria, he came to America when he was 12.

Now this is what more African American kids should be striving to be like. Success in more than just physical abilities. His mind has had at least as much growth as his body. He has adapted to the environment he is in, and he has excelled. I pose this young man as the example that there is more to life than trying to be a ‘baby-daddy’ or ‘thug.’ There is more you can gain than drinking a 40 on the corner waiting for someone to shoot you dead. There is a reason to stay in school. Maybe you won’t be a star athlete, maybe it will take longer to get your degree, but there is no reason you can’t do it. African Americans don’t need to learn a new language [and eubonics is not a language, it’s an excuse to allow people to be uneducated and poor – in my opinion] or travel to a different country to have a better quality of life. The color of your skin does not prevent you from gaining knowledge and improving your life. You just have to want it, and strive for it.

There was an old television ad by the NAACP, I believe it went, ‘There nothing worse than wasting a mind.’ Mr. Okoye knew this, perhaps the television ad needs to come back to remind everyone else.

This is what I think, what do you think?

Rating Rapper in Movies

There seems to be an outbreak of rappers invading Hollywood these days. Beyond my own deep dislike of almost any rap since ~1987, this phenomenon is startling to me.


I’d rate rappers in movies as follows:

Wil Smith - Has natural talent and has honed their acting abilities through years of training and experience. Commands respect of peers and capable of the lead in $100 million blockbusters.

LL Cool J - Has a lesser degree of talent. Has trained and gained experience over years of work. Can maintain quality supporting roles in significant production films. Tends to work in a single niche genre.

The rest of the bunch - May or may not have little/no talent. Has no experience at acting, and has bypassed trying to learn for quick money. Generally will be minor support in lower quality films, or occasionally lead/co-lead with C tier or less actors. Movies tend to exploit the rap image projected in music videos.

Of these types it seems that the last category is gaining more ground. Not that skill or talent has improved, just the economics. By that I mean that a low budget film (10-20 million is what Wil Smith is paid to be IN a movie) starring the latest video, not yet in jail for stupid actions, flavor can return 3x or more on investment. If more than one of these bottom tier, bail kids is involved the numbers increase dramatically. Why? Because they attract the rap/hip-hop crowd, whites who want to buy into the black experience that’s for sale, and the black community that says "We must support black films, even if they are garbage."


Of course this only motivates Hollywood to continue to pump out poorly written (slang instead of words - to be cool), poorly plotted (Why/How is this stuff in the movie happening?), Horribly acted (Would it be the same if Denzel or Samuel did it?) low budget trash (would anyone see this movie if it was exactly the same but had white actors? Would it even be made if that was the case?).


Well perhaps I will be surprised and find talent under the rock that is rap music, but I’m sure it will only happen after rap is replaced by the new music craze, just as rap did to rock.


Oh, by the way, Queen Latifah is on the LL scale (Oscar or not she gets to make movies like TAXI with jimi fallon) and she spent years getting good doing TV (like LL and Smith). Tupac had promise but got killed for stupidity (his lifestyle and the east/west thing). Janet and Whitney are singers.


As a side note I have a rating system:

A movie will proportionately decrease in quality with the addition of a rapper(s), and will exponentially drop in intellect based on the number of rapper(s) in it.