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Tuesday, January 27, 2009

American Idol is for pikers, Harlem is for talent

With all the people that go out to American Idol each year I have to wonder why those that are serious actually show up there. Because when you think about it, it is one of the least successful avenues an entertainer can take to get recognized.

I came to this understanding the second I saw something most probably skipped over today. The announcement of the 75th year of the Apollo Theater’s Amateur Night. For longer than any of the judges on American Idol have been alive this one venue has been grooming and introducing talent to the nation. And many of those that have gotten their start at the Apollo have become bigger stars than all of the American Idol contestants (and judges) combined.

The Apollo was the start for:

    Women

    India.Arie
    Pearl Bailey
    Josephine Baker
    Mary J. Blige
    Brandy
    Blu Cantrell
    Diahann Carroll
    Faith Evans
    Eve
    Ella Fitzgerald
    Celia Cruz
    Roberta Flack
    Aretha Franklin
    Billie Holiday
    Lauryn Hill
    Lena Horne
    Etta James
    Alicia Keys
    Eartha Kitt
    Stephanie Mills
    Chante Moore
    Nina Simone
    Jessica Simpson
    Angie Stone
    Leslie Uggams
    Sarah Vaughan
    Dionne Warwick
    Dinah Washington
    Ethel Waters

    Men

    Harry Belafonte
    Tony Bennett
    Chuck Berry
    Ruben Blades
    James Brown
    David Byrne
    Ray Charles
    Chubby Checker
    Nat “King” Cole
    Sean ”P. Diddy” Combs
    Sam Cooke
    D’Angelo
    Chico DeBarge
    Bo Diddley
    Fats Domino
    DMX
    Marvin Gaye
    Ginuwine
    Al Green
    Isaac Hayes
    John Lee Hooker
    Ja Rule
    Michael Jackson
    Jay-Z
    Jadakiss
    Jaheim
    B.B. King
    Ludacris
    Johnny Mathis
    Maxwell
    Brian McKnight
    Prince
    Lou Rawls
    Otis Redding
    Busta Rhymes
    Sisqo
    Keith Sweat
    Muddy Waters
    Barry White
    Jackie Wilson
    Stevie Wonder

    Groups

    Bob Marley & the Wailers
    Buddy Holly and the Crickets
    Dru Hill
    El Gran Combo de Puerto Rico
    Fugees
    George Clinton &
    Parliament/Funkadelic
    Gladys Knight & the Pips
    Isley Brothers
    Jackson Five
    Jagged Edge
    Korn
    Lisa Lisa & Cult Jam
    Martha Reeves & the Vandellas
    O’Jays
    Patti Labelle & the Bluebelles

    Musicians

    Louis Armstrong
    Charlie Barnet
    Count Basie
    Cab Calloway
    John Coltrane
    Miles Davis
    Duke Ellington
    Dizzy Gillespie
    Benny Goodman
    Thelonius Monk
    Charlie Parker
    Louis Prima
    Tito Puente
    Buddy Rich
    Max Roach

    And others

    Sammy Davis Jr.
    Bill Cosby
    Redd Foxx
    Whoopi Goldberg
    Dick Gregory
    Steve Harvey
    Jackie “Moms” Mabley
    Richard Pryor
    Chris Rock
    Sinbad
    Flip Wilson
    Ossie Davis
    Ruby Dee
    Kid Capri
    Doug E. Fresh
    Sidney Poitier
    Paul Robeson


And I have cut the list down massively. Yet if you are between the ages of 25 to 80 you know names on this list. In fact you probably know a couple of dozen of them.

Now with all that talent focused from one source you might think that the Apollo Theater would be the biggest thing out there. The proving ground for up and coming entertainers. That American Idol would make homage for a legend, and that someone would be highlighting the importance of the place. But you know that won’t happen.

American Idol is a great gimmick. The purpose is not to find great lasting talent, but to make a quick profit off of manipulated fame. William Hung never deserved fame, yet Idol gave it to him, and we were the worse for it. Thousands of performers that might have a shot at some kind of career in entertainment have their spirits crushed on national TV and never go forward. It’s a shame.

Now I don’t know the numbers, but considering American Idol has 2 winners a season out of tens of thousands, compared to several categories of entertainers numbering in the hundreds competing at Apollo (dance, groups, individual singers, comedians, ect) each week; I don’t need rocket science to tell me where the better odds are. And looking at the ultimate success of the Idol winners versus the Apollo again Harlem wins.

So if you want to see the future superstar entertainers of America, I suggest you turn off the television and take a trip to Harlem. Because that’s where the real talent will be.

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Absinthe Fairy

Tuesday, November 11, 2008

Jazz - timeless or old time?

I was reading various bits of information when I ran across news from Rapid City. The point of the article was that a group of Jazz musicians were going to perform on November 9th. But just as important was another thought.

This group has performed for 17,000 middle and high schools. Their purpose is to teach American history through music, Jazz music which is a genre that truly is American-born. But the article also mentions

“A lot of adult fans don’t understand where this music came from.” - Jim Speirs member of Dakota Jazz Collective


It got me thinking. How many people can name 3 Jazz musicians? 5?

Of course there is Miles Davis, whom I am aware many younger readers probably have never heard of. And you should if yu can.



But who else? Could it really be that most are unaware of jazz and all its forms? Like the diffence of Herbie Hancock to John Coltrane. Or are the jazz musicians so far from MTV and music videos that many today have completely missed this unique sound?

Well I figured I’d present a couple of videos and ask you. How do you think the following compare to the modern sounds of today? If this were on MTV, or VH1, or BET would you watch and listen – more importantly listen?

Louis Armstrong & Ella Fitzgerald


Dizzy Gillespie


Charlie Parker


John Coltrane


This is only a small sample of the great sounds and songs of these men and women. If this caught your interest you might just want to hear a bit more. I’m sure you will thank me for it.

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Absinthe Fairy

Thursday, October 16, 2008

Australian movie exec calls Forest Whitaker 'ugly, black, unbankable'

Australia is an interesting nation. The people I have met from that nation have been pleasant and good natured. They have provided America with several excellent entertainers, most notably Mel Gibson (who is American but grew up in Australia).

Yet that nation had, and continues to have many problems. The interaction with the native Aboriginal population is in many ways similar to the slavery issues that were found in America. Even to this day there are extreme racial conflicts between the 2 groups, though the distance to the rest of the world helps to ensure that most of this news is unseen.

It is perhaps because of this racially derisive past and present that an Austrailian film executive felt the need to claim this about Forest Whitaker

“Even if he wins the Oscar he's ugly, he's black and he's unbankable.”


Bollocks! Who the hell is this executive?

I realize that Australia, along with neighbor New Zealand, have gotten quite a bit of attention from Hollywood in recent years. I understand how they might see their importance growing with this greater influence. But that does not justify such comments.

Forest Whitaker is an acclaimed actor, director and producer. His credits include:

  • Last King of Scotland – where he received an Oscar, Golden Globe, Screen Actors Guild, and BAFTA Awards
  • Color of Money
  • Bird – Cannes Film Festival Award and Golden Globe nomination
  • Ghost Dog: The Way of the Samurai - an exceptional film that I recommend people see
  • The Shield
  • Fast Times at Ridgemont High
  • Good Morning Viet Nam
  • Platoon
  • The Crying Game
  • Prêt-à-Porter - National Board of Review Award for Best Acting by an Ensemble
  • Panic Room
  • The Great Debaters
  • A Rage in Harlem
  • Waiting to Exhale

I could go on as his career spans 26 years. In fact he will be working steadily into 2010, where he will be directing and acting in It's A Wonderful World about Louis Armstrong. There aren’t many actors that can be assured of leading roles 2 years in the future, and those that can are the best in the entertainment industry.

Somehow I think the fact that Whitaker is this successful, in all aspects of film, does not only make him bankable – it makes him one of a few actors that are bankable over decades.

To say that Whitaker is ugly is just a base, moronic, and unrealistic comment. It’s similar to the inane argument made by racists that people (usually implying Whites) will not go to see a film starring an actor/actress of a different color. The financial success of films by Will Smith, Denzel Washington, Samuel Jackson, Jamie Foxx, and Forest Whitaker to name but a few prove that to be absurd drivel.

Now the issue at hand was the upcoming movie Winged Creatures, directed by Australian director Rowan Woods. To the credit of Woods he fought to have Whitaker as the lead. He believed that the ability, look, quality, and bankability of Whitaker would be an asset to his film. And he would not budge on his choice of lead.



The Australian entertainment industry responded to this with a racially based slap-in-the-face. The initial budget of the film was $11 million, it was cut to $4.5 million. Who did the racists want? Al Pacino or Michael Douglas. Now I personally don’t think that Al Pacino was ever the most handsome leading man. And Michael Douglas is a good looking guy, but his age shows through these days. So the reality was that they just wanted a White face as lead.

To the credit of the director, Woods, he was able to fill out his cast – on a budget that was a pittance of the initial target – with actors of high quality. I have to believe that each of these actors had no problem with a Black man, and more importantly a quality actor who happens to be Black, as the lead. The other actors are:

Guy Pearce, Kate Beckinsale, Dakota Fanning, Jeanne Tripplehorn and Jennifer Hudson

Racism is a despicable thing in any nation or part of the world. It is usually based in unfounded, illogical, small-minded, envious, mindsets. It is the reason that so many are persecuted by so few. It is the worst image of any group of people.

Again I note that the Australians I have met have been great people. The director of Winged Creatures helps to show that not every Australian is the closed-minded, repugnant, imbecilic racists that seem to populate their entertainment industry (and more than just a few in Hollywood too).

But I think that future directors should think twice before going to Australia for a film. Because if the film has anyone that is Black it seems they will shun the film. And in an industry that is supposed to represent the boundless depth of the human imagination, this repressed limited and potentially psychologically damaged view is a cancer that sours the best of work.

**I want to thank the owner of 1800blogger for bringing this to my attention, and D.C. Moviegirl for speaking on this**

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Absinthe Fairy