Congress discusses gangsta rap music - 9.26.2007.3

So what else have you not heard about? What might the major news media, particularly the cable news networks, have considered less than newsworthy? We know that the news about Ms. Megan Williams of West Virginia barely deserved 3 minutes, that OJ Simpson demanded 4 days of virtual non-stop coverage, and the 13 year old in Virginia has garnered 2 days of college so far. But what is too mundane to be covered?

How about the Congressional hearings on the language and images used in gangsta rap music. Did you know that on the 25th the House was holding hearings? I bet most didn’t.

The discussion included present and former rappers, music industry executives, and of course our friend Philippe Dauman of Viacom (which owns MTV, VH1, and Black Entertainment Television). The various personalities discussed their views and in some cases justification for gangsta rap.

Rapper Levell Crump, known as David Banner – who ever that is, defended his use of foul language

“I'm like Stephen King: horror music is what I do…Change the situation in my neighborhood and maybe I'll get better.”

Well isn’t that special. Gansta rap is horror music. I couldn’t agree more. But at least there are choices and varying degrees of horror in movies and books. More importantly rap music should not be defined in such a narrow and limited manner.

Rap started as an expression of fun and having a party. It evolved to include personal views on life, and political statements. It wasn’t until 1992 that music companies started to promote, virtually exclusively, the current concept of what rap is. It just happens to also be the most profitable form of rap music for corporations, luckily for the single-mindedness of their choice for promotion.

And then there is the desire for someone, other than Crump, to fix his neighborhood. What a cop out. If he wants a better neighborhood, he can stand up and fix it. Asking someone else to change the situation is no different than asking the government (whom I presume he was inferring) to provide individuals with welfare so they can languish both socially and economically, I feel. It’s a poor justification for taking advantage of other African Americans. I find it no different than the excuse that someone will sell drugs because if they don’t someone else will.

On the other end was rapper Master P, Percy Miller. He provided an apology to women for his songs and lyrics. He noted that he wouldn’t let his own kids listen to the work he had done previously. I’m not surprised. I’ve heard that many rappers and executives in the music industry would never allow the use of words and references they use in their songs to be used or applied in their homes or to their families. Kind of like the old saying among drug dealers, ‘Don’t get high on your own supply.’

Continued in Part 2...

The Black Entertainment Television PSA, insult or slap in the face - 8.13.2007.1

Some wondered why BET (Black Entertainment Television) caused so much animosity with the latest round of ‘original’ programming. Obviously the title of its headline program, Hot Ghetto Mess, was pretty bad. The content while less troubling than originally thought is no walk in sunshine either. But most expect nothing better from the executives, including Reginald Hudlin and Viacom head Philippe Dauman, as there is a consensus that they provide a program line-up that is less than positive towards African Americans.

Possibly proving this point is the recent addition to BET. It’s called a Public Service Announcement (PSA) though who it is serving, and how it’s a positive influence is beyond me. I will not say that this is a positive satire as I do not suffer from dementia. The concept is good on its surface, sadly the execution fails miserably. [I will not place this video on my site, but you can see it on YouTube.]

Of thee many things I could say about how insulting and wrong this supposed PSA is I will instead submit a conversation that I had with a friend on this subject. [Note that the conversation does include language that some will deem offensive. Curses are used occasionally, so children should not listen to this without a parent having first approved it. I am placing it here on the site because I feel that the language is not nearly as bad as most television programs or movies.]



I should also note that the video has one obvious omission. Did you notice that it says nothing about drugs? Was there no time left to say something about this? Was it more important to discuss hygiene (which I am unaware as being an issue) or to keep one more rousing chorus rendition?

I will add this. BET seems bent on providing programs that are as anti-African American as possible. The programs S.O.B. and We Got To Do Better are marginal in the quality and message they present. The caliber of movies found on this channel (such as Soul Plane – a bomb in the movie theaters and DVD markets) represent the best in bargain bin shopping, and virtually every other cable television network (not owned by Viacom) has numerous better quality films. The introduction of this PSA is not surprising, though it is sad.

We are not a mindless consumer that will accept anything thrown at us. Black culture is not a commodity up for sale to the highest bidder; no matter how sneaker, clothing, and who ever it is that creates the stupid money-wasting platinum teeth, companies try to make us believe we are for sale.

I don’t understand why any executive that has a concern about African Americans, beyond our available cashflow, would condone what this channel provides. Viacom does not understand its target audience, obviously. The degree to which it does not is amazing to me. I can’t wait until they pop up a PSA featuring a burning cross while a guy in a white hood raps about Blacks going to church and having a family with a mother and father.

BET, anything but black entertainment. And people say I’m a sellout because of the way I speak.

Oh, here are the lyrics (provided by Warner Todd Huston who also hated the PSA)

Read a book, read a book, read a motherf**kin’ book (pronounced mah f**kin' book in street fashion)

r-e-a-d-a-b-o–o-k

Not a sports page, not a magazine, but a book n*****, a f**kin’ book n*****

Read a book, read a book, read a motherf**kin’ book

r-e-a-d-a-b-o-o-k

Raise yo kids, raise yo kids, raise yo goddamn kids

Yo body needs water, so drink that shit

Buy some land, buy some land, what, f**k spinning rims

Brush yo teeth, brush yo teeth, brush yo goddamn teeth

Wear deodorant n*****, wear deodorant n*****

It’s called Speedstick, it’s not expensive

Read a book, read a book, read a motherf**kin’ book

r-e-a-d-a-b-o–o-k

This is what I think, what do you think?

Mr. Reginald Hudlin of Black Entertainment Television speaks Part 2 - 7.17.2007.2

Continued from Mr. Reginald Hudlin of Black Entertainment Television speaks Part 1...

I submit that his television shows have been a constant statement on self-improvement and the rewards of education. In 1965 he was the FIRST Black actor to star in a dramatic series. His Cosby Show television program, that started in 1984 and lasted 8 years, was massively positive, well received, and a direct statement of success for Black families. Obviously the cartoon series Fat Albert has made a huge impact on generations of Americans, and children around the world. Non-violence, morality and humor featuring an All-Black cast that has lasted decades and was in first run production for roughly 15 years.

Mr. Hudlin would compare what BET describes as,

“…like the traffic accident you can’t look away from.”

I have never heard any television show or public speaking event that Mr. Cosby has appeared at given a similar description. I do not know Mr. Charlie Murphy, but I am not aware of his collegiate degrees, positive public comments on the Black community (outside of comedy). Neither am I aware of Mr. Murphy receiving a Presidential Medal. I am not putting down Mr. Murphy, just stating that there is little similarity between him and Mr. Cosby.

For Mr. Hudlin to compare the program to the social commentary of Mr. Bill Cosby there must be similarities. They don’t appear to be in the host, a basis in education, or breaking ground in television history.

The comparison of Mr. Cosby’s social commentary – stating don’t shake your booty for a camera, or be a pimped-out high schooler – seems diametrically opposed to videoclips of exactly that. Mr. Cosby’s comments to seek out education seem to not be conveyed, as I am befuddled how a car accident is educational. So I ask Mr. Reginald Hudlin, where is the connection?

Mr. Hudlin appears to be a good corporate leader. His comments are rare, brief and sound great as a soundbite. Sadly they have no substance. These are the kinds of comments that as a stockbroker listening to earnings reports for a decade, caused me to drop a stock – and caused financial institutions to lower ratings. The comments don’t hold up to review.

I pose the same questions I asked Mr. Sumner Redstone and Mr. Phillippe Dauman to Mr. Hudlin. Perhaps, if BET is as independent as is claimed, he can answer the questions that his bosses will not. I again invite Mr. Hudlin to explain why my conclusions based on his comments, and those on the BET website are “an erroneous presumption” or how they can be considered based on “absolutely zero information.”

I have not seen the show, but I can only hope that it will not be what has been promoted. But if it is, there will be a reaction and I guarantee I will hold Mr. Hudlin, Mr. Dauman, and Mr. Redstone accountable.

To these men, and you my readers, I state – even if the major news media refuses to comment or acknowledge this subject, the blogosphere is. We are more powerful than traditional media believe. We are a voice of the people, and our influence (via you our readers) is immense. To ignore us is to dabble with peril.

This is what I think, what do you think?

Contact with Viacom and Black Entertainment Television Part 2 - 7.11.2007.2

Continued from Contact with Viacom and Black Entertainment Television Part 1...

• 4. Why do several divisions of the company promote programs that display little or no positive benefit in the portrayal of African Americans? I submit as examples VH1 – Flava of Love and all it’s spin-offs, BET – the abovementioned Hot Ghetto Mess, Uncut.
  
• 5. Given that African Americans, directly or indirectly have contributed to the positive earnings of Viacom, which in the Media networks division (of which BET is a part) was an increase of 10% to $1.73 billion, why has Viacom not used it huge network of resources to provide original or re-run programming the equivalent of other divisions of the company?
  
• 6. Considering that 1/3 of the movies released in the first quarter of 2007 seem to directly target African Americans (Norbit and Black Snake Moan), and that these same movies contributed to the 62% increase in revenues vs. 2006, without including the positive contribution of other movies release prior to 2007 (Dreamgirls), it can be surmised that African Americans are a strong source of a portion of the revenues for Viacom. Why then would this revenue source be seemingly neglected in a division that directly targets African Americans? I site the strong dependence of the programming on music videos, discussion of music videos, and B or less quality movies (ie. Soul Plane, Leprechaun: in the Hood) on BET.
  
• 7. Why is a division that seeks to target a seemingly lucrative consumer segment of the company, dedicated to programming that is and may be considered insulting to that audience. I cite the large number of African Americans that have crusaded (for over a decade) against the violence, misogyny, and promotion of drugs that music videos (particularly hip hop and gangsta rap) focus on. In addition I site the over a dozen blog sites and articles written denouncing the proposed Hot Ghetto Mess program, its logo, its stated content, the description of that content, and the loss of advertisers to the BET website page promoting this program.
  
• 8. I ask Mr. Redstone, Mr. Dauman, and all other executives responsible for programming at BET and the other divisions of Viacom, why there is such a vast difference in programming when comparing BET to any other divisions. I state that there is no comparable program to the Blade series, as an example, on BET.
  

I hope we can get a response to these questions from BET and Viacom. I feel we have been neglected and used for the monetary gain of Viacom. I believe that Viacom can provide quality programs that do not infer or actively promote insult to African Americans. I further accept that they chose not to do so with the one division of the company that solely targets us.

Whether that is due to the inefficient nature of the corporate structure of the company, as observed by my attempts to get comment from BET and/or Viacom, or because of the seemingly laissez faire attitude of executives responsible for programming (those executives ultimately being Mr. Redstone and Mr. Dauman) I do not know. But I do know that it can be changed. I submit that if shareholders of Viacom are holding onto a stock that is losing profits because of protests against the actions of the company, change will be swift. Protests may happen, especially if Hot Ghetto Mess is the insult that is inferred by the description provided on BET’s website and the logo chosen to symbolize the program.

This is what I think, what do you think?

Contact with Viacom and Black Entertainment Television - 7.11.2007.1

I tried to be fair. I tried to hear both sides. But there is a limit to what can be done. I am referring to my attempts to contact Black Entertainment Television for a comment on the massive and growing displeasure with [to say the least], and potential boycott of sponsors for, Hot Ghetto Mess.

Let me be clear. On Monday the 9th I started the process. I called Viacom and was directed to CBS. CBS stated that they no longer have anything to do with BET and then forwarded me to individuals at BET that could not comment due to company policy. I respect that they could not comment on the record. I was then directed to speak with the public relations department for BET. It turns out that it was for CBS. I was then directed to another person, who was also for CBS. Then I finally get BET to give me a number for their legal/corporate communications department. That’s in DC as opposed to NYC where their offices are. When I called that number I waited 4 minutes to get a human operator on the phone. I never got a human being to pick up. The call to DC was today, the second day in my efforts. I think I have been more than fair.


So let me state that I feel Mr. Sumner M. Redstone, who has controlling voting interest in Viacom according to the most recent 10Q, needs to fix his company. To be clear, while Mr. Phillippe P. Dauman is the CEO of Viacom (which owns BET) the voting rights and thus ultimate control lay with Mr. Sumner Redstone via his NAI company.

The fun part of this is I was a stockbroker and can read a 10Q. For those less familiar, essentially that is a document that public companies (ie. traded on the stock market) must file every 3 months, is available to the public, and states how much money was made, from where, how it was spent, and who is in charge. So when I stated previously that Viacom was ultimately responsible for Hot Ghetto Mess, and the general state of BET, I was incorrect. Ultimately it would be NAI and Mr. Redstone.

So I ask Mr. Redstone and Mr. Dauman a couple of questions. [Feel free to copy this post in part or whole and send it to Viacom, Mr. Redstone and/or Mr. Dauman]

• 1. Why is it that Black Entertainment Television (BET) is not allowed to comment except through its corporate communications which there seems no way to contact directly or with ease? Is there a reason that out of several people I have spoken with in 3 companies over 2 days no one can give me a number or name that can comment?
  
• 2. Why is it that Viacom owns MTV, VH1, Nick at Nite, Paramount Pictures and Dreamworks, among other properties and working relationships yet programming at BET fails to consistently provide diversity, quality, and/or positive content?
  
• 3. Why is it that divisions of the company are able to provide quality programs/content and BET promotes what I and other believe are caricatures of African Americans? I submit these examples: Spike TV – The original program The Blade Series, Comedy Central – The Dave Chappelle Show, Dreamworks – Hustle&Flow, Paramount Pictures – Dreamgirls.
  

Continued in Part 2...