Author Steven Van Patten interviewed by Michael Vass

About a year ago I had the opportunity to review a novel by author Steven Van Patten. The book was Brookwater’s Curse, a vampire novel that stands out among the genre on many levels. I found the story to be engaging, the characters unique and a refreshing change.

Since that time, Steven Van Patten has come out with the follow-up book to Brookwater’s Curse. I am currently reading that, and will be providing a review for that as well. But I took the time before finishing the second book to interview Steven.

Michael Vass: Congratulations on the second book being published. It must be a thrill to continue to see your work being in published form and accepted so well across the world.

Steven Van Patten: Thanks Michael. It has been exhilarating to hear the responses I've been getting. I mean, when this whole thing started, it was just me, a laptop and my overactive imagination. Now, it's non-stop e-mails and praise and I'm still very much an underground hit. I'm very grateful for whatever happens from this point on.

Michael Vass: For my readers that are unfamiliar with you, please tell us a bit about yourself.

Steven Van Patten: Well, I'm a Brooklynite -- born and raised. I went to Long Island University, where I majored in Media Arts and Minored in English. Grew up in Fort Greene but I'm currently living in Crown Heights. When I'm not our trying to grow the Brookwater's Curse franchise, or home writing feverishly, I'm usually out stage managing any number of TV shows. I've worked regularly on shows like Total Request Live, and BET Tonight with Ed Gordon, but I also done countless concerts, major sports events and things like that.

Michael Vass: Did you always imagine that you would be a writer?

Steven Van Patten: Well I always had a knack for it. In school, the grades spoke for themselves. And I always had this imagination thing. It's definitely my blessing and my curse. It's a blessing because it's definitely a gift from God. It's a curse because sometimes I can't control it.

Michael Vass: Was your education a major factor in your desire to be a writer? What did you take in school?

Steven Van Patten: Honestly, school was only part of it. I don't think my teachers expected what I was capable of, so many of them let me be. My mother pushed me pretty hard to broaden my learning scope past school. So I read voraciously as a kid and still would be if not for the fact that I've been too busy writing my own stuff to get into anything new these days.

Michael Vass: What were early influences for you? Are there specific books that inspired you?

Steven Van Patten: Aside from the million comic books currently living in a closet at my mother's, Stephen King, James Baldwin, Walter Mosley were big literary influences. So, Dracula, Frankenstein and Interview with a Vampire all got same time and attention as Go Tell It On the Mountain and Devil in A Blue Dress and The Fire Next Time.

I should also mention that movies were another big influence -- and the movie Blacula left an indelible mark on me -- no pun intended. From a special effects standpoint it certainly has not stood the test of time, but it is one of the first examples of a person of color maintaining a high level of dignity during a horror movie.

Michael Vass: What made you decide to pick a vampire story for your book?

Steven Van Patten: I wanted to explore how the world we currently inhabit would seem to a black man who had been around during the slavery era. So for me it was the matter of my taking two things I love -- vampires and black history -- and meshing them in a compelling way.

Michael Vass: What was your motivation to have almost all the major characters in the books to be African American, Hispanic, and Asian?

Steven Van Patten: I'm big on leaving stereotypes behind, and I wanted to create something new. The world is full of flavors -- so to speak -- so why not use them all? How often do we get to see or read about a black woman turning into a werewolf? Or an Vampire Samurai Lord? I mean, I look out my window and I see everyone, so why not put everyone in my story?

Michael Vass: How long did it take you to write the book? And your second novel?

Steven Van Patten: The first book, what with the trip to Africa and all the research involved, took 7 years. This is also during the time I was working at MTV almost full time. The second book took 3 and a half, because there was less historical stuff to double check.

Michael Vass: Was it hard to get the book published? Did you get any requests to change the characters or storyline?

Steven Van Patten: I'm self-published, so as far as all that goes, the decision making stops here.

Michael Vass: Often writers include a bit of themselves inside the stories they write. Is there any character that reflects a bit of you in these books? Do any reflect other people you know, or are famous?

Steven Van Patten: I'd say they all do, but none more than Christian Brookwater. He is my mouthpiece and my gauge. He is my Darth Vader, my Kermit the Frog, my Mickey Mouse, my Spider-man. He's the cornerstone of the franchise and I feel a certain kinship to him, even though he only exists in my head.

Some of his romantic exploits may mirror a few of my own in a vague sense, but I was careful to stay away from specifics. No one character in my stories is one person in particular exclusively. There is a lot of mix and match.

Michael Vass: How much has the works of Bram Stoker and/or Anne Rice, or the multitude of films about vampires affected your writing. You seem to have included some parts of the mythology and excluded others, how did you come to that conclusion?

Steven Van Patten: Every person who dabbles in this genre plays with the rules a little. From silver, to stakes to sunlight. No two writers agree completely. I decided that I wanted to be logical. I wanted to come up with some ways that vampires could have been around and just undetected. So yes, for example, my vamps cast reflections and eat real food, and therefore don't give themselves away to the general public so easily. When Bram Stoker and Anne Rice put their stories together, they did what made sense to them and ultimately, their belief in what they were doing helped the books resonant. I can only hope the same holds true for me.

Michael Vass: Your books have strong influences from Africa , werewolves, and Asia. How did that come about?

Steven Van Patten: My love of history, whether it be African-American, American, or Asian is a large part of who I am. I enjoyed Bruce Lee flicks as a child just like everybody else. The only thing is, Bruce Lee inadvertently led me -- thanks to a film festival, to the work of Akira Kurosawa... which led to a host of things, including me studying Kendo for two years. And of course, the birth of one of my other main characters, Lord Ebichara Tanata.

As far as werewolves go, they are just as fascinating as vampires, because they are part-time monsters who have to reconcile the two sides of themselves. It's the ultimate analogy for the addictive personality. I love it. The possibilities are endless.

Michael Vass: Taking a peek into the future do you see yourself continuing to write about the supernatural characters found in your first 2 books? Is there another genre that you want to delve into?

Steven Van Patten: I am going to draw the line with Volume III as far as Christian Brookwater goes. I may do a spin off book at some point featuring Jeremiah the new werewolf, maybe, but I feel this part of my work is over soon. The 2nd book really burned me out. Also, to be honest, the creation of the villain Emmanuel took me somewhere I don't normally go. Not sure how many times I can stare into that abyss, coming up with what motivates these evil creatures while I sit alone in the middle of the night.

Of course, I'll contradict that now by announcing that I have plans to do a serial killer story. As with the BC series, it will be unusually multi-cultural. But there will only be one of those. After that, I have a comedic side that I intend to start exploring soon.

Michael Vass: How has the publishing experience been?

Steven Van Patten: Like anything else, it has it's ups and downs. The hardest lesson for me has been that coming up with the story and selling the story involve two completely different sets of skills.

Michael Vass: Do you have any book signing or other appearances coming up that my readers might be able to see you at?

Steven Van Patten: I will be attending Wagfest in Atlanta the week of October 2-4. There may be some other stuff before that, but that's the big one.

Michael Vass: I like to ask in all my interviews if there is a cause or organization that you champion. I always like to help promote a good cause whenever possible. Is there any organization or cause you would like to present to my readers?

Steven Van Patten: Ever since the Iraq War started, I've made it my business to send a few bucks to Disabled Veterans of America as often as I can.

No matter what your stance on the war is, the troops deserve our love and respect.

Michael Vass: Speaking directly to my younger readers in the world, is there something you would like to share with them?

Steven Van Patten: Pull Your Pants Up. That and there is more to the world than just Hip-Hop. Not everyone is going to be a rapper, so let's get some other skill sets going.

Michael Vass: Where can my reader purchase a copy of your books?

Steven Van Patten: The easiest way would probably be Amazon.com, but if you want an autographed copy you can hit me up at www.brookwaterscurse.com.

I thank Steven for the interview. I hope that it has inspired future writers and given my readers the desire to check out Brookwater’s Curse and the follow-up book. I look forward to speaking with Steven more in the future as his next book is ready for the public.

The movies of 2007 in retrospect - 12.12.2007.1

As 2007 is coming to a close I looked back on the films of the year, and the actors that made them what they were. It’s quite the mixed bag, with far too many massively overpaid for underperformance. Quite a few are, in my opinion, without the ability to justify the pay they receive, while others are a bit surprising in the modest pay they receive, relative to Hollywood payouts. Thankfully there are many that are worth the money that are a bit long in the tooth, making ‘older’ folks like myself feel a bit better I suppose.

In terms of the films that were hits, that lived up to the hype we all seemed to have. Included in that list The Bourne Ultimatum, Live Free or Die Hard, Pirates of the Caribbean: At World’s End, Saw IV, Harry Potter, 300, Spiderman 3, I Am Legend [I include this because the storyline has been good enough to make this the 4th version of the film, and I have that much confidence in the ability and choices made by Will Smith] and to a lesser amount Hitman.

There were several films that failed, and most were no surprise to me. That would include Underdog, Fred Claus, The Mist, The Comebacks, Halloween, Code Name: The Cleaner, Alpha Dog, Hannibal Rising, The Hoax, Rush Hour 3, The Brothers Solomon, Lars And The Real Girl, 30 Days Of Night, The Invaders and a few others.

And then there are the special mentions like Aqua Teen Movie, Red Line, Georgia Rule, Ocean’s 13, Talk To Me, Bratz Movie, Rendition, Darfur Now, Lions For Lambs, Redacted, This Christmas, and American Ganster.

The leading films all boasted great casts with some of the best in the industry. It’s no surprise that Johnny Depp made a reputed $92 million this year. The same can be said of the $32 million for Matt Damon, the $23 million paid to the top 3 in Harry Potter and the unknown amounts for Bruce Willis and Will Smith (I would guess in the range of $20 million a piece). As for 300 or Spiderman, every dollar spent on the effects was worth it as that was the real stars. And Saw is just what you expect so it did its gore fest above par.

The worst films, which the list is hardly complete for, were all bloated poorly written refuse that amazed me someone greenlighted. Underdog proved that not every show or cartoon from the past needs to be remade or done live action. Stephen King continued his long streak of failing to convert his quality and success from books to film. Rush Hour, and Hannibal show that making sequels just for the money doesn’t always make money, and Cedric may be an entertainer, but he’s not an actor. Didn’t anyone get the clue from the horrendous Honeymooners movie? They just need to stop making him the lead in movies. The rest were just really bad ideas that turned into really bad movies.

The list of movies that qualify under that last sentence is too long to write. I’m sure we all could think of a couple of those movies, if we wanted the torture of thinking about that. The good news is that 2007 is over and they can only be reseen on DVD, if you get bored burning $20 bills. (The bad news is that 2008 will probably have at least as many gruesome failures – at $20 million a film Nicole Kidman is burning buildings full of them)

As for the last category of films, well they are special. Aqua Teen Hunger Force is a special interest – mostly targeting college kids up late watching cartoons that are distracting and meaningless (which is why we like them). Georgia Rule deserved to fail because of 2 things Lindsey Lohan and Hanoi Jane. I cannot fathom any film that contains the America hating Hanoi Jane that deserves to make a single dime. I dislike her and revel in her failures, personal and professional. [And I don’t care if anyone likes her for any reason, I despise her.] Equally fathomless is the concept that a film based on anorexic dolls could work. Seriously, anorexic dolls with attitudes?

I equally reveled in the failure of equally America hating films Rendition, Lions For Lambs, and Redacted. The abject failure of these films to garner any interest is a testament to the good taste of everyone except the people who greenlighted them. I can only hope that the actors in these films were doing them for the paychecks and not their political views. I would also say that if the producers and writers of these films feel that strongly (especially Mark Cuban) give up your citizenship and move to Iraq, Iran, Afghanistan or any other nation that will take you. I will not mourn your loss or the money you have.

But there are also films that should have gotten real attention and distribution. Talk To Me and Darfur Now were thrown to the wayside, the corporate execs sleeping well at night because they got them into theaters. In fact both were solid films deserving of recognition for what they had to say and the performances. Luckily both have Don Cheadle in them, though he is only acting in one. I have to wonder, considering the wide release of Cedric’s movie, that execs fear promoting a film with a Black actor that makes any serious political and social statement. You can’t pay a major media company to acknowledge Darfur has been going on, least of all for 4 years, and America has yet to do ANYTHING about it. We can run around the world and help fix everyone’s problems, but forbid we even distribute a movie about a genocide we can do something about.

Lastly there is American Gangster and Ocean’s 13. Denzel Washington is a solid, brilliant actor. The film is quite good (even with 3 rappers in it). But I have a problem with the promotion of a negative style of life for African Americans. Far too many will see this as a vindication or motivation. The mindless find inspiration in odd places, thus the film upset me. And Ocean’s 13 just proved that sometimes you can make a sequel just for the money and it’s ok.

So there are my thoughts on the films of 2007. Get the DVD’s of those you like, target shoot the ones you hate and get as a gift. And gird yourself for 2008, because Carrotman (it’s an old obscure comic book character) the movie hasn’t been greenlighted, yet.

[Again I say, Iron Man will be the massive big winner of the year.]