Movie Review: Hellboy 2

For those wondering if my preview of Hellboy 2 was any good, here is my review of the movie. But I must note that the film I saw was not the film you will see. Because I’ve been so crazy with several work projects, a potential interview with an elected politician, ad offers, and a new house I had to rely on a website that provides films for free. The trade-off is these bootleg films often lack the visual quality of seeing eye dogs, soundtracks queued up to characters either seen or forthcoming in the film by 5 minutes and other maladies.

Even so one thing was absolutely clear. Guillermo Del Toro has a very fertile imagination that would give most people nightmares. I on the other hand thought it was beautiful.

The visuals are the real appeal to this film. Unlike the very CGI “monsters from beyond” found in the first film, all the creatures are far more realistic in this film – if such a term can be used. The version I saw really did not do justice to the elemental in the film, nor most of the creatures. The rendering of the Golden Army was particularly bad, which is a shame since they still looked pretty good.

If you are looking for an improved plot in this 2nd film you will both be amused and disappointed. There are fewer plot holes or gaps in logic than the first film, but the constant foreshadowing (of a third film) detracts a lot. Plus there are a few moments when you just have to say “Why do that?” or “The solution is really simple here”.

Of course there is another love story in the film that is more a waste of time than anything else. It eats up time and slows the pace, but it also does give an interesting excuse for an American Idol-esque duet (not meant in a good way which is why it was funny).

There is more of a reality base in this film though. Hellboy has relationship problems, problems with authority, and moral crossroads. He is both very humane and very 16 throughout the film. Which at times works and is silly at others.

I can’t really comment on the sound either as portions were problematic in the version I saw. The acting was fine though. No Oscars out of this film but every character gets a moment to shine, more or less.

And it should be noted that this film is more about the other characters Hellboy calls his family than him really. Still seeing the world and the ‘other world’ through their eyes was refreshing since they all stem from Del Toro’s eyes.

The film in a nutshell is good. Not great, not fantastic. I felt it was better than the first, which is all you can really ask of a sequel. And, had I the time, spending the money to see this in a theater beats the experience of watching it on a flat screen any day.

So the film was basically what I was hoping for in the previews. So far this summer Iron Man, The Incredible Hulk, Hellboy 2, and WANTED have been worth the journey. I only hope that The Dark Knight will exceed my thoughts about the Joker (hype about Heath Ledger getting an Oscar aside) rather than turn into the abysmal failure that War, Inc. and Speed Racer were. But I’m not holding my breath on it.

Even more 2008 summer film previews

I’ve been writing about the summer movies of 2008 for some time now. I’ve covered everything from The Andromeda Strain remake on A&E, to Iron Man, to The Incredible Hulk. I’ve given previews of movies I’m looking forward to like Hancock and Wanted and movies that I think are, or will be, dreadful like Batman: The Dark Knight, What happens in Vegas, and Speed Racer. But there are a few films that I have failed to mention. So here I go.

Get Smart is a remake of a television show that first ran in the 1960’s. Don Adams, a former Marine, took a more comedic and slapstick approach to the suave spy theme in this show and made it work well. It’s a funny show that is known for its wacky and partially functional secret weapons as the leads instantly recognizable voice (used for equal success in the children’s cartoon Inspector Gadget).

This movie looks to have none of these sparks. Yes it is more flashy, with explosions and special effects that the original television program could only dream of. But the focus on all the glitz will detract from the actual comedy that is the Clouseau-esque lead. Lots of popular stars, big budget, and not a single reason not to wait for this to hit cable. Yet another movie version of a great television show that reveals Hollywood has no idea what makes a show work, or that they ever watched the program in the first place.



The Mummy: Tomb of the Dragon Emperor. And you thought all the mummies were done. This is the 3rd film of the series and lives in the same continuity. Our favorite mummy fighting dad, Brendan Frasier is back again alongside his son (now grown up) and his nar-do-well Brother-in-law.

Put the blame of the latest threat on the son this time as he releases Jet Li from his slumbers. The CGI looks to be good, and the clips give good reason to believe the unique blend of humor and action that made the first 2 films work well are still in place. If it’s half as good as previous movies in the series then this is worth going to the theatre.



Hellboy 2 has gotten a boost in the form of the director of Pan’s Labyrinth, Guillermo Del Toro. And its obvious that he had a major influence on the movie. The characters are right out of his mind to the screen. Which may help give more credibility to the story. The first film lacked believability, even for the subject it was dealing with. This one looks far more committed to the otherworldly essence that is the base of the story. Now if they can plug up the plot holes that plagued the first film it could be quite good. Either way it should be a better experience than Batman or Get Smart. If you have the extra cash it could be worth the money.



War, Inc. has several good things working for it. John Cusack is sort of reprising his role as an assassin that he played in Grosse Point Blank, along with his sister as his secretary. The film is absurd, dealing with a war that is farmed out to a corporation. That absurdity works with the way the film seems to be portrayed. And for the far-left there is a healthy dose of anti-war meaning that Hollywood seems to want to flood the theaters with.

At least this film seems to present that concept with a laugh instead of the usual sledgehammer seen in prior big budget flops (that deserved to never be seen).



Meet Dave, Space Chimps, Step Brothers, Sisterhood of the Traveling Pants 2, and Mamma Mia all seem like great films for the discount DVD bin. If I were to be paid to see them I’d still just stick with an edited trailer instead.

Could I be wrong? Sure, and the Dukes of Hazzard was a film worthy of an Oscar. Honestly I’m sure some would like any of the films I don’t, just as some people think huffing paint is worth the holes in the brain it causes.

The only really big question in the near future is Batman. From what I’ve seen the Joker is horrible, and if he is the film fails. Not to worry though, there will be another Batman, likely a Hellboy 3, and several other superhero and videogame movies to come. They might even make a movie about Good Times or All in the Family. But that will be another post.

Review Iron Man

I was wrong about Iron Man. The movie isn’t good. It’s a great movie, made all the better by Robert Downey Jr.’s acting and Jon Faverau’s directing vision. Seriously I think this film is the best in the superhero comic book to movie genre to date.

So why is it so good?

Well they stick greatly to the wealth of the storylines of the comicbook to start with. Tony Stark is a multi-billionaire genius with a penchant for women and liquor. He is a selfish, self-centered cad. And Downey embodies the character perfectly. You can easily relate to Stark’s wild lavish lifestyle of private jets with retractable stripper poles and stewardesses to match. You can also believe his staunch commitment to creating weapons for the protection of America.

At many points in the movie it’s the transition that gets you. Whether its physical, emotional or moral. And unlike failure films like the Ang Lee Hulk (thank god a superior version is about to come to the movies) the morale content is not spoon-fed to you, but allowed to develop in the movie.

Pacifists and ultra-liberals will enjoy the movie and take away an ant-war feel. Which isn’t exactly right. The goal is anti-abuse of the weapons needed to make the world better. And it’s about one man finding his own way to improve the world, growing beyond the shadow of his father.

The visuals in the film are spot on. The suit is believable and stylish. With just enough ostentation to fit a former billionaire will-o-wisp. Many feared this movie wouldn’t connect with moviegoers because you can’t see Downey behind the mask. Well several closeups ‘within the mask’ are more than enough to keep you in touch with the humanity of Stark, and his movements is the suits are anything but robotic.

And I think you just have to love the handy but bumbling helper robot of Stark’s. Never fear a fire when he is near. Though lighting a cigarette or falling down may also get the same result.

The supporting cast include Terrence Howard in a small but beneficial role of Randy Rhodes. He is the second closest person to Stark besides Pepper Potts. He is Stark’s longtime friend and military liason. He is also the man that may one day (in the movies) become the 2nd man in the iron suit – War Machine. Terrence Howard portrays a high ranking Air Force pilot with respect and authority.

Gwenneth Paltrow is the ever present and consistent Pepper Potts. Whether it’s “taking out the garbage” or blowing up the corporate office she is the woman you want. And Paltrow is very good at being dutiful. Thankfully her character gets about the same kind of emotional release as does Evey from V For Vendetta.

In terms of the music, well there is one song you just want to hear from the previews – but on that you will be disappointed. Otherwise the music, and sound is well done.

I’m trying hard not to give away anything more than the basics that you can see in a preview or from a casual perusal on Google of Iron Man. You want to see this film. I want to see it again. I want the DVD.

One of the best things about the film may be the fact that there just has to be a sequel, and Downey will be in it. Or perhaps that this one superhero is the only one that every single one of us could imagine being able to do, and having a hell of a rush doing it.

Expect crowds to see this film, unless you live in a small town like Binghamton and are in the theater at 4ish.

the approaching Sumer films of 2008

Ok, I need a break from the 100+ blogs I’ve set up for a client, and the house negotiations. So what am I going to do? Write more, on politics and of course entertainment.

Well one of the bigger things to focus on is the upcoming summer movie season. So far the movies of the year have been major letdowns. I mean there really has been nothing that stands out or was worthwhile. Superhero movie was a superflop. I’ve already forgotten Forgetting Sarah Marshall. Street Kings seems to not be silver screen kings or even a joker. Smart People equals a dumb movie, The Ruins was ruinous, 10,000 BC was before common sense, Never Back Down never stepped up, Jumper (as I had suspected) needed to go over a cliff, Semi-Pro was only semi-good, and Drillbit Taylor doesn’t deserve to be mentioned.

And that was most of the better films of the year to date.

Hollywood is really out of their minds. Obviously the only thing that can save this year has got to be hero movies; specifically comic book heroes or perhaps a few Kung Fu masters. So far one of the best movies of the year is the combination of Jet Li and Jackie Chan. I have yet to see this, but I will, so I will reserve my thoughts to this. No matter how good or bad the movie masses will see this film because of just those 2 international entertainment stars.

So what hope do we have left?

Iron Man. I’ve been hyping this a bit but I have no doubt it will live up to my expectations. The previews look great; the storyline is filled with drama and adventure (if they follow most of the Stane/Stark storyline). Robert Downey Jr. is a renowned actor as is Terrance Howard. It looks like there would need to be a lot of effort made to screw up the film.

The Incredible Hulk. Thank goodness they are redoing the story. Ang Lee really destroyed the story, and we can only hope this one is better. The Abomination is the central figure so lots of big destructive fights can be expected. Ed Norton is an extremely better actor. And the graphics of the CGI look superior as well. Even if it’s not a great film it should stand galaxies above the Ang Lee film.

Speed Racer. Likely a huge letdown. This is not really the film that fans of the original cartoon are looking for. Far too stylized and tripped out, it may make the post MTV generation feel warm and fuzzy, but the rest of us will just be ill. The actors don’t seem to be impressive, even though John Goodman and Susan Sarandon are huge names in the cast. Christina Ricci may get some teen boys going but that’s about it. I think the Wachowski brothers missed the mark this time.

Indiana Jones. He may be old but expect this to pack the crowds in. Harrison Ford is an entertainer that commands the big bucks, and has no need of money or more fame. Thus his presence lends credibility to the thought that this is not just another Hollywood sequel seeking quick cheap cash based on the series name. It won’t win Oscars, but it should fulfill its purpose of making you forget the travails of daily life for a couple of hours.

Hellboy 2. I want this to be a good film. Or at least as good as the first. But the odds are 50/50. Fans will find lots to dislike, and newcomers will enjoy the action. I need to see more to be sure.

Stepbrothers. Another Will Ferrell miss. But everything he does can’t be as good as Elf. Thus we had Ricky Bobby and now this film. But this time all the NASCAR fans will be at Speed Racer so I doubt the success.

Sex and the City. Or more aptly named sluts without lives. Sure to bring in women patrons in droves, it’s still a failure as a film. Just like the television show. I’d advise guys to just give their dates/wives the cash to see it and go play their Xbox in the meantime.

Get Smart. Another remake of a classic and funny television show from the past. Hopefully this will not be the atrocity that the Honeymooners remake was. But Hollywood execs are rife with greenlighting a film without ever paying attention to what made a show classic. Expect this to either be the equivalent of remakes like Charlie’s Angels (either film) and Dukes of Hazzard, or Star Trek (the better films). Remakes of television shows only go those 2 ways.

Batman the Dark Knight. I don't like Heath Ledger as the Joker. I think he misses the mark from what I have seen. Without doubt there will be a huge sympathy rush towards this film. That does not affect my thoughts on the previews I've seen. Every film series has its failure, and this will rank among the Batman's lesser appearances, no fault of Morgan Freeman, Michael Caine, and Christian Bale.

Any film with Aston Kushner. Complete waste of time. He has no talent, and his films to date reflect this. Even his only successful role, on the 70’s Show, highlighted his inability to have any depth.

Such is the upcoming summer fare. A dearth of entertainment value. Most will fail miserably as they should. Several will test the concept that if you give people enough sand will they drink it like water. Perhaps one of these days we will have some Hollywood execs that actually believe in entertainment quality over the absolute bottom barrel cheapness of American Idol on film. But this is not that day or year.

Review - The Bourne Ultimatum - 8.4.2007.1

The Borne Ultimatum. It is almost enough to say that alone, and still explain with clarity the fact that it is a full-throttle adrenaline rush. The movie is about as non-stop as any movie can claim to be. And when you are on this ride you are bewildered, careening and intensely absorbed in everything around you. It’s about the best description for how the movie will make you feel.

Honestly the movie is a rush. From the first 5 minutes to the last 5 you are kept moving at a pace that is breathe-taking. The pace is moving at the speed of Bourne, and for once we get to glimpse the world from his eyes. To appreciate how quickly Bourne can evaluate and implement a plan based on his surroundings is astounding.

This film starts from just before the end of the 2nd movie, and continues in time from there. By late in the film we connect to the last scenes of the Supremacy. The context changes everything. And the trailers for the movie are not quite what you will get in the film.

The movie provides several scenes where we get to see exactly how Bourne makes his disappearances, and he even imparts this to another person. Effectively he takes a regular man and cloaks him in invisibility to the eyes of the operatives searching for him, in one of the most video surveillanced and agent filled places in England.

This lives up to the hype, and expectations. More fights, more locations, more secrets revealed. As Bourne unravels his past, the levels of deception and danger unfold at higher levels. The willingness of some to do whatever it takes to keep the shadows dark is equal to the grey of what is right and wrong in their world.

The quest of Bourne to understand who made him what he is takes us full circle through the entire movie series. We begin in water, and end there as well. We get questions and answers in a diner. We learn what is similar in all the women of Bourne’s life.

Mr. Matt Damon picks up his titular role and doesn’t miss a beat. He gives us exactly what we’ve come to love about Bourne. Taciturn, economical and lightning sharp. Quite a few of the stunts are done by Mr. Damon, adding to the connection and authenticity. Watching him take out various bad guys with nothing more deadly than a book or just bare handed is impressive.

Unlike most films, except the Ocean 11 series, all the major characters we’ve come to enjoy make an appearance at least. The one’s that have survived to this point at least. And more than in the other films we get a bit of politics infused as well. Both the pro and con of various issues, like tapping cell phones. To see the keyword program in action, with the ability to tap conversations, overseas shows the potential good and the ease of misuse of such a policy. Much like the various operatives and the shadow programs everything in this film details the fine line between the good of the nation and the evil power can bring.

Perhaps that is the real attraction of the series. Watching the battle, not of good and bad, but the struggle of being in the gray. Either way, the journey is worth the price.

Summer movies, bulldogs and Forest Whitaker - 4.24.2007.1

Well just a little hodgepodge of things I noticed lately. First I want to send out congratulations to Mr. Forest Whitaker on his Star on the Walk of Fame. While this honor has lost some of it’s status, there is no question that it is still a status symbol that is desired by all entertainers. Mr. Whitaker has come into his own and this just continues to cement his place in Hollywood. I’m glad to hear of this further step into the history books.

Looking into the future, I know I’ve mentioned it but this is going to be quite the summer movie season. 14 sequels are planned to come out. There are several I’m looking forward to. I’ve talked about Pirates 3, Spiderman 3, Die Hard 4 and others. I recently saw the trailer for the Bourne Ultimatum and I think this may be the best movie of the season. Of course there are the less inspired sequels that will be out as well. Shrek 3 is only a money grab, though it might be good, while Fantastic Four 2 is just to give teen boys another chance to stare and dream about the invisible parts of Ms. Jessica Alba. But the bigger question is where are the original ideas? What happens when the final Harry Potter installment is done, and all the good comic books have been translated to film? I’ll take the good with the bad, but if there are these many sequels coming out shortly I have to wonder if there is anything original and compelling anywhere in the Hollywood pipeline.

Oh a reminder, boycott Georgia Rules. Hanoi Jane should not profit from anything again, and hopefully if yet another film she stars in flops directors and exec will stop putting her in movies.

And for the dog lovers out there, the most beautiful Bulldog has now been crowned. The winner is Riggs. I realize not everyone can appreciate the beauty of a bulldog, but I am sure their character shines brightly. I think they are the most charismatic dogs ever. Riggs of course leads the pack on this point.

Well I just wanted to get up a little bit before I go and discuss the Mr. Alec Baldwin situation, and Mr. Russell Simmons comments.

This is what I think, what do you think?