Movie Review: Legion

What do you expect from a film that has the name of a demon, the revisioned plot of Armmagedom on Earth, and Angels that are anything but angelic? In general you get a mix of The Prophesy, Terminator, and perhaps a bit of the Road Warrior.

I realize that is an odd mix of generally good to great films. And to put them all together in one film sounds strange, and unlikely. Yet Legion does all of that. Sadly the end product is not as good as any of its parts.

Let's just jump right into the plot. God has suddenly lost faith in humanity. No reason why or why now. Yet there is an unborn child that can save humanity; from what is never stated. We can stop right there.

I'm not the most religious individual. But my understanding of God, in any religion, is that the closest non-religious word would be omnipotent. How could anything stop God? Ok, taking a slightly different tack, the Angels. They are powerful beyond belief, smoting entire cities and virtually beyond comprehension to see. The Archangels are even more powerful than that.

So in this movie, these powerful beings have no choice but to takeover the bodies of the innocent (children) and weak-willed to try to kill the mother of the would be future savior. Hello Terminator. Except not one of these possessed beings has a gun, blowtorch, lighter, not even so much as a wiffle ball bat. They won't even use their cars to get into a small, unfortified, old diner where the unborn child is at.

Ok, here I am thinking again. If this is all to kill the child, why wait until mere days before the birth? Angels are not restricted by time. Why not go back to the conception of the child, or the birth of the mom-to-be? Why not have Gabriel (one of the Archangels) walk in at the very begining and kill her then? Or have a city smoting lesser angel turn the diner and all in it to salt?

Ok, over thinking. Back to the movie.

Michael (another Archangel) chooses to become human to save this woman. So he goes out to the diner in the middle of nowhere just in time for fending off the horde of possessed humans that arrive. Not that their overwhelming numbers are used to swarm the diner. All of this leading to a confrontation between the now human Michael and Gabriel.

Simply put the plot sucks. There is just too much to try to suspend your belief on. This requires more than a leap of faith it requires absolutely the vaccuation of thought.

But if you think the action will save this film, give the movie a reason to charge $9 a ticket, you will again be disappointed. There is a small bit of gunplay, mostly after the middle of the film. It's short lived, much like half of the cast. Truely there is nothing impressive about the effects or the action. Many B-movies have more and better.

So what about the cast? Well there is Paul Bettany who is a good actor and becoming a known name. He also has a penchant for quasi-religious characters (he was the albino in The DaVinci Code). He is Michael and does a decent job of being brooding, direct, and less than comforting. His action scenes are fair, and he is moderately believeable given the shortcomings of the plot.

Charles Dutton plays a short-order cook with only one hand and a prosthetic hook. You get the feeling, though it is never clear, that he might have been in Viet Nam. Of course since my father had the same prosthetic and was a vet I may be projecting. Beyond that, the character is unremarkable. He looks concerned when he should, rushes around like everyone, and dies a noble but useless death.

Then there is Dennis Quaid. Like Dutton, far better an actor than this film deserves or requires. He is the father of a key character and owner of the forlorn diner. He is a grizzled man who gave up on life as all his dreams crumbled around him. Bitter about his divorce 5 years earlier, and as lost as everyone else in this film. Quaid is believable and adds a lot of credibility to the film, but can't save it. Ditto the noble death.

I have to mention Tyrese Gibson because he is the next most well known actor in the film. His role is the obligatory thug/gangsta wannabe, with a heart. The best that can be said about his role and acting is that it does not distract from the film. He is a useless character that likely got to die a noble (but obvious and stupid) death because of Gibson's ability to draw a female and/or ghetto audience.

The effects are common and less than spectacular. The best ones can be seen in the movie trailer for the film. Actually much of the action is in the trailer as well.

The photography is at times good and adds to the atmosphere of isolation and despair, like Road Warrior. At it's worst it is too dark and murky.

The directing is on par with a B-film. You never get to feel the intensity or impending doom after the first 10 minutes of the film. In fact it feels like there was 2 seperate ideas in the film - the first more of a Terminator feel, the second more of a Prophesy rip-off.

When it's all said and done, this film is forgettable. It does not live up to the quality of the movie trailer (whoever made that should get a raise and more work). I'd more likely buy this as a DVD ($10 or so) so I could see what extras were pulled from the film, or just watch it on cable some night when insomnia had hold of me.

Do yourself a favor and don't see this film. There is a reason this was released in January, and it lives up to that reason alone.

Movie Review: Death Race

I was able to get out to the theater this weekend and went to see Death Race.

I had previously previewed the film, so I was walking into the film with relatively high hopes. This is not an Oscar worthy film; it’s an action movie and so has to be judged as such.

The film starts off with a bit of homage to Death Race 2000, starring David Carradine. It was driving me nuts throughout the film trying to place the voice, and the end credits were the only way I figured it out. Beyond that, the opening sequence gives you a pretty good idea of what to expect in the film.

That idea is a good one. The film is short on dialogue, easy on plot, and frequent with gunshots and explosions. It’s exactly what an action movie is supposed to be.

Let me stop to discuss the visuals. This is a gritty movie and the scenes match it well. Everything is dirty, and you just get a feeling of frustration and a breaking down of society. Even the daytime sunny scenes are gritty with dirt from the prison, and a body of water that is best described like the Hudson River. On a bad day. It’s a great tone.

The race scenes are filmed well, with an eye out to capture the speed of the race, yet not blurring the details. And when the film slows down to give us a bit of background everything is a bit more shaded and dark. In fact there isn’t a scene in the entire film that is cheerful or bright with the exception of the introduction of the female navigator prisoners. That lasts about 10 seconds. But the ladies do look good.

But there is a bad spot in the film. Just before the big race the camera goes to a steady-cam shot. It is anything but steady. It’s shaky, with bad angles, and distracting. The rest of the film had no scenes like this, or at least that you might notice, so the change is jarring. I imagine that this was a reshoot, separate of the main filming. Thankfully it only lasts about 1 minute.

The sound is good. The roar of the engines doesn’t overpower any of the vocals, but is a powerful background reminder that everything is happening at speed. Explosions are crisp and powerful, the big guns sharp and constant. And the crunch of another driver going down is painful, but not enough to really clue you into the violent deaths that just occurred.

Actually the race looks like it could be an excellent video game (if a designer actually took time to make it right and not just throw out something for a quick buck) which is a bit of a reversal on the theme these days.

The race is simple. One lap around the track to get speed and bump the opponents. On the 2nd lap electronic devices are turned on that activate weapons and defenses on the cars, all a driver needs to do is drive over such a spot before another driver. And there is a 3rd device that activates kill traps. Basically spikes pop up from the ground to impale an unlucky car, and retract with the pieces ensuring a kill. Honestly any person that’s driven a racing game in the past 15 years will understand the concept.

There are 3 laps to a race. 1 race a day for 3 days. Qualifying for the next race is as simple as surviving the race. The winner is the first to cross the finish line in the third race, usually also meaning that you are the only driver left alive.

The rules are only this, win 5 races (the winner of the 3 days) and you get to go free. In 7 years of races no one has won.

**Ok here come the spoilers – you are warned.**

Jensen Ames (Jason Statham) was framed for the murder of his wife, so he could replace a popular driver who wears a mask and is called Frankenstein. Frank as he is called has won 4 races and needs one more to win. Ames (Statham), in the mask, only needs to win once and he can go free – reclaiming his infant son from a court appointed family.

Adding to his motivation is the fact he recognizes the criminal that killed his wife, the white supremacist scum that picks a fight with him when he enters the prison. The aryan uses the false charges of killing a woman to ensure that no other prisoner will help out Ames – with full knowledge that this is a lie.

Of course the warden (Joan Allen), a ball busting woman with an eye to profits, has no intention of letting our man go free. Either he can chose to lose, win and elect to stay for further races, or she will kill him on the track and substitute another racer as Frankenstein in the mask. And she has no problem with the fact she organized the frame that got Statham convicted.

None of the other racers are allowed to know who Frankenstein is, except the pit crew and navigator. Anyone that tells the secret is killed, so there are no loose lips.

As the film progresses, and the number of drivers drops, Ames becomes aware of the plot to kill him. He comes up with a plot to escape based on a weakness in the prison that has been overlooked. To do so he needs the help of the key driver looking to kill him, or actually Frankenstein. Prior to that he does kill the white supremacist purposefully (getting out the car and walking over to the guy to snap his neck as he begs for his life)… and no one missed the character I’m sure.

The escape makes sense, and works – though the timing of a train being in the area, and so close to the prison is a bit silly. And of course at the end our hero gets the girl. He also may have acquired a gay male companion.

Perhaps one of the most interesting things in the film is Tyrese Gibson as Machine Gun Joe. This chatracter is constantly referred to as being gay. He is the only driver with a male navigator (actually several as he keeps killing them if actual racing doesn’t). It’s clear that he is not a nice person, but his actual sexuality – and the crime he was convicted of – are never revealed.

Now I find it interesting because the film goes a long way to convince us that he is someone to cheer. He wants out of the corrupt prison, he’s murderous and volitale. He severely hates Frankenstein, whom he does not know was replaced.

Yet by the end of the film he has not only escaped, he is with Ames and seemingly on friendly terms.

I also think it’s a brave move for Tyrese. His persona in most films and rap back up an image of a tough bad ass. Yet in this film the question of his sexuality is prominent. That would generally be seen as a negative to his career, and a difficult sell to Black women. Actually the thought of gay African Americans is so taboo that I can’t recall any film that touches on the subject besides the Crying Game – though that is a British film and seen differently here. So he gets a mention for the choice of this character, not that his acting is above average.

**End Spoilers**

Overall I love the film. It delivers on what it’s supposed to be. Mayhem and violence. No big statements on society or politics. No attempts at trying to be overly clever or artsy. Just simple get-your-pulse-up crashes, bangs, and booms – with just a dash of a cute girl for spice.