A touch of classical

I have always been a fan of classical music. Perhaps its because of That's Opera Doc, or maybe it's the various types of music that my family listened to as I grew up. I'm not sure. But I do enjoy it.

Of course many younger, and more than a few older, readers may not be familiar with classical music. I've heard the misstatments that classical music is boring, or without feeling. I suppose to those more in tune with instant everything this might be true.

So in an effort to introduce classical music to some who might never otherwise hear it I present some youtube videos that combine classical music with other forms of entertainment that might better appeal to the music video generations (and provide a few laughs for those older). Who knows, 35 years from now you might be doing something similar for the next generation.

Halo






Ok, not quite classical, but cool - Star Wars


Bleach - ok, its the techno version, but I love that version - Warning, video can cause seisures


Apocalypse Now


Star Trek (revision)


Muppets


Eric Prydz


Well I think that did it.

I think my point is made. Classical music isn't some ancient thing to be avoided. Like all music it can be what you make of it and take from it.

Sesame Street, the real danger to our children. Are you serious?

America we are in trouble. I mean serious and deep trouble. It’s not because of an eventual attack from fanatical extremists, or the potential of duplicitous individuals being elected to political office. It has nothing to do with the definite problems to the economy that are fueled by growing costs for oil and the expanding number of homes being foreclosed. No, this insidious virus comes from a small place in America, called Sesame Street. At least that’s what some would like you to believe.

This is incredulous. The degree of idiocy that causes some to propose that the early programs of Sesame Street are ‘inappropriate’ for children and that it should be ‘adults-only’ staggers my mind. In my opinion, anyone that could hold such a view first has never seen the show as a child and second has serious issues.

Of the programs on television in my lifetime, if not before it as well, I think only the Electric Company and the animated Charlie Brown and Dr. Seuss specials match the quality and sincerity found at Sesame Street. No violence, no bad language, real people (mostly but quite a few monsters that are as scary as Teddy bears), adults that are involved and not stupid, a diversity of cultures races and ethnicities that is unmatched anywhere in the real world. A dedication to provide kids with an interest in education, and helping them with the building blocks. And above all an understanding that children are not dumb or mindless and treats them with respect.

But for all that, and the millions that watched Sesame Street we now have what I would call ‘idiots with titles’ trying to keep the show from our children.

Virginia Heffernan wrote a piece on the Sesame Street DVD that is now available. Initially I thought this was a satirical commentary. I hope that I have misread her context. But you can decide for your self.

“What they did to us was hard-core. Man, was that scene rough. The masonry on the dingy brownstone at 123 Sesame Street, where the closeted Ernie and Bert shared a dismal basement apartment, was deteriorating. Cookie Monster was on a fast track to diabetes. Oscar’s depression was untreated. Prozacky Elmo didn’t exist.”

Sounds sarcastic right? But she goes on to say

“Originally designed by Jim Henson for use in commercials for General Foods International and Frito-Lay, Cookie Monster was never a righteous figure. His controversial conversion to a more diverse diet wouldn’t come until 2005, and in the early seasons he comes across a Child’s First Addict.”

Now if I read that second quote correctly Cookie Monster was just called a junkie. Hell, how did everyone from 45 to 22 not become a crack addict? Well maybe not everyone since according to the 1979 New York Times the program was targeted to, shudder at the thought, “4-year-old inner-city black youngster[s]”.

Continued in Part 2...